Flute Concerto: I. Allegro by Jacques Ibert, Clara Andrada, Frankfurt Radio Symphony Orchestra, Jaime Martin Song Details

Jacques Ibert, Clara Andrada, Frankfurt Radio Symphony Orchestra, Jaime Martin's 'Flute Concerto: I. Allegro' had a release date set for January 3, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Nielsen, Ibert & Arnold: Flute Concertos". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Finland. Based on our statistics, Flute Concerto: I. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Flute Concerto: I. Allegro by Jacques Ibert, Clara Andrada, Frankfurt Radio Symphony Orchestra, Jaime Martin having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -14.48 dB
Acousticness: 99%
Danceability: 32%
Energy: 30%
Instrumentalness: 89%
Liveness: 35%
Loudness: 76%
Speechiness: 4%
Valence: 26%

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