On September 8, 2017, the song "Merl" was released by Francesco Tristano. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Merl's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Piano Circle Songs". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Merl is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Merl by Francesco Tristano having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canzona (BuxWV 173) | Dietrich Buxtehude, Francesco Tristano | G Minor | 4 | 6A | 122 BPM | ||
| 4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
| Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
| Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Electric Mirror | Francesco Tristano | G Minor | 8 | 6A | 170 BPM | ||
| Nocturne No. 3 in A Flat Major, H.26 | John Field, Elizabeth Joy Roe | A♭ Major | 0 | 4B | 73 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
| The Third Bridge at Nakameguro | Francesco Tristano | B♭ Minor | 3 | 3A | 172 BPM | ||
| A Soft Shell Groove | Francesco Tristano, Alice Sara Ott | C Minor | 2 | 5A | 120 BPM | ||
| Lastdays | Francesco Tristano | F Minor | 0 | 4A | 80 BPM | ||
| At Les - Abul Mogard Remix | Carl Craig, Francesco Tristano, Les Siècles, François-Xavier Roth, Abul Mogard | D♭ Major | 0 | 3B | 103 BPM | ||
| Nocturnes, Op. 9: No. 1 in B Flat Minor. Larghetto | Frédéric Chopin, Jan Lisiecki | B♭ Minor | 0 | 3A | 72 BPM | ||
| Ground | Orlando Gibbons, Francesco Tristano | D Minor | 3 | 7A | 93 BPM | ||
| Damunt de tu Només les flors | Federico Mompou, Arcadi Volodos | F Minor | 0 | 4A | 73 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 4a, Prelude in E Minor | Dmitri Shostakovich, Sofia Sacco | G Major | 0 | 9B | 72 BPM | ||
| Let ons met herten reijne | John Bull, Francesco Tristano | D Minor | 3 | 7A | 93 BPM | ||
| Satie: Réflexions nocturnes Nos. 1 & 2 | Erik Satie, Alexandre Tharaud | C Major | 1 | 8B | 149 BPM | ||
| Preludium g-moll | Hania Rani, Dobrawa Czocher | G Minor | 1 | 6A | 84 BPM | ||
| Gluck: La plainte d’Orphée (Arr. Kempff for Piano After Dance of the Blessed Spirits from Orfeo, Wq. 30) | Christoph Willibald Gluck, Shani Diluka | D Minor | 0 | 7A | 76 BPM | ||
| 6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
| Nocturne Op. 8 No. 4 – Andante | Milenna Jovic | D Minor | 0 | 7A | 71 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
| Waltz No. 1 | Kirill Richter | E Minor | 1 | 9A | 64 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.10 in E minor BWV855 | Daniel Barenboim | E Minor | 1 | 9A | 62 BPM |