Boston Pops Orchestra's ' "Syncopated Clock" was released on its scheduled release date, January 1, 2010. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Syncopated Clock's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Song Of India". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Syncopated Clock's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Syncopated Clock by Boston Pops Orchestra having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
| La Bamba | William Clauson, Boston Pops Orchestra, John Williams | C Major | 5 | 8B | 132 BPM | ||
| La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | ||
| Coppélia, Tableau 1: No. 1 Valse | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| The Merry Widow Waltz | Ian Whitcomb, The White Star Orchestra | G Major | 2 | 9B | 160 BPM | ||
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Trade Winds | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 66 BPM | ||
| Seventy Six Trombones | Meredith Willson, Boston Pops Orchestra, John Williams | C Major | 4 | 8B | 126 BPM | ||
| Rodeo: V. Hoe Down | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | D Major | 2 | 10B | 119 BPM | ||
| Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
| Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 5 | 10B | 116 BPM | ||
| Tennessee Waltz (with Boston Pops Orchestra) | Chet Atkins, Boston Pops Orchestra | D Major | 2 | 10B | 69 BPM | ||
| End Titles | Rachel Portman | G Major | 1 | 9B | 107 BPM | ||
| Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
| Raiders March (From "Raiders of the Lost Ark") | John Williams, Boston Pops Orchestra | F Major | 2 | 7B | 129 BPM | ||
| Bugler's Holiday | Al Hirt, Boston Pops Orchestra | B♭ Major | 7 | 6B | 84 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Honour Restored - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | D Major | 1 | 10B | 88 BPM | ||
| Casino Royale Theme | Herb Alpert | D Major | 5 | 10B | 137 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | ||
| Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
| The Typewriter Song | Erich Kunzel & The Rochester Pops | G Major | 1 | 9B | 146 BPM | ||
| A Chorus Line - Arr. Marvin Hamlisch: Overture "A Chorus Line" | Marvin Hamlisch, Boston Pops Orchestra, John Williams | G Minor | 2 | 6A | 94 BPM | ||
| Gitanerías - 1997 Remastered | Ernesto Lecuona, Morton Gould and His Orchestra | G Minor | 5 | 6A | 145 BPM |