Johann Adolf Hasse, Il Fondamento, Paul Dombrecht's 'Requiem In C Major: IV. Kyrie, Kyrie' had a release date set for April 1, 2008. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Requiem In C Major: IV. Kyrie, Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Adolf Hasse, Il Fondamento, Paul Dombrecht's "Hasse: Requiem" album is number 4 out of 29. On top of that, France appears to be the country where this track was created. Based on our statistics, Requiem In C Major: IV. Kyrie, Kyrie's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Requiem In C Major: IV. Kyrie, Kyrie by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | A♭ Minor | 1 | 1A | 96 BPM | ||
| Requiem In C Major: IV. Kyrie, Kyrie | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht | B Minor | 1 | 10A | 143 BPM | ||
| Ja, mir hast du Arbeit gemacht, JLB 5: VII. O wundergroße Lieb | Johann Ludwig Bach, William Shelton, Capella Sollertia, Johanna Soller | G Minor | 2 | 6A | 93 BPM | ||
| Er ist aus der Angst und Gericht genommen, JLB 10: V. Preis und Ruhm | Johann Ludwig Bach, William Shelton, Michael Mogl, Capella Sollertia, Johanna Soller | G Minor | 2 | 6A | 93 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
| Solomon, HWV 67, Act I Scene 1: No. 8 "Throughout the land Jehovah's praise record" (Chorus of Israelites) | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Daniel Reuss | E Major | 2 | 12B | 73 BPM | ||
| Bach, CPE: Flute Sonata in G Minor: I. Allegro (Formerly Attributed to JS Bach as BWV 1020) | Carl Philipp Emanuel Bach, Aurèle Nicolet, Karl Richter | G Minor | 2 | 6A | 93 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
| Weichet Nur, Betrubte Schatten, BWV 202, "Wedding Cantata": Aria: Wenn Die Fruhlingslufte Streichen | Johann Sebastian Bach, Capella Istropolitana, Friederike Wagner | G Major | 1 | 9B | 176 BPM | ||
| Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Messe in H-moll, BWV 232: Kyrie Eleison II | La Capella Reial De Catalunya | F Minor | 2 | 4A | 80 BPM | ||
| Requiem in C Minor, MH 155: Vb. Sanctus et Benedictus. Benedictus | Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King | G Minor | 1 | 6A | 86 BPM | ||
| Messe de Requiem, Kyrie: Kyrie eleison | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Minor | 2 | 2A | 92 BPM | ||
| The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
| Jesu, meine Freude, BuxWV 60: IV. Trotz dem alten Drachen | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Sebastian Myrus, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 91 BPM | ||
| Gloria in D Major, RV 589: VII. Domine, fili unigenite | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 114 BPM | ||
| 12 Sonate melodiche, G major, TWV41: G 4: III. Mesto | Han De Vries, Wouter Moeller | E♭ Minor | 1 | 2A | 78 BPM | ||
| Omphale, Acte I: Air. Calme heureux, agréable paix... | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen | G Minor | 2 | 6A | 93 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): VIII. Sicut erat - IX. Amen | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 7 | 10A | 119 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Cœlo turbido et irato cadant fulmina" (Moyses) | Johann Adolf Hasse, Thibault Noally, Les Accents, Philippe Jaroussky | D Major | 2 | 10B | 76 BPM | ||
| Messa a 5 Concertata: XIV. Miserere nobis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| O Sing Unto the Lord a New Song, HWV 249b: III. Declare His Honour Unto the Heathen | George Frideric Handel, Arcangelo, Jonathan Cohen | E Major | 3 | 12B | 117 BPM | ||
| Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
| Trio Sonata in A Major, Op. 2, No. 3: I. Adagio | Johann Adolf Hasse, Laurence Dean, Christina Ahrens-Dean, Bernward Löhr | D Major | 2 | 10B | 139 BPM |