- BPM
- 128
- Key
- E♭ Major
- Camelot
- 5B
Aurai by Justin Rubin, Rhonda Taylor Song Details
Justin Rubin, Rhonda Taylor's 'Aurai' had a release date set for June 9, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 11 in Currents: Assorted Pieces for Percussion, Winds & Voice by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Aurai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Aurai by Justin Rubin, Rhonda Taylor is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.229 dB
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 2%
- Instrumentalness
- 91%
- Liveness
- 13%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 26%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | |
 | Messiaen: Des canyons aux étoiles...: XII. Zion Park et la cité céleste | Olivier Messiaen, Marius Constant, Alain Jacquet, Ensemble Ars Nova, François Dupin, Georges Barboteu, Yvonne Loriod | A Major | 1 | 11B | 78 BPM | |
 | Bagatelles: I. Tiento de baxon (Bass Toccata) | Justin Rubin, Jefferson Campbell, Gene Koshinski | B Minor | 2 | 10A | 108 BPM | |
 | Summer & Winter | Justin Rubin, Paula Gudmundson, Tim Broscious | A Major | 1 | 11B | 111 BPM | |
 | I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | |
 | Bartók: String Quartet No. 1 in A Minor, Op. 7, Sz. 40: II. Allegretto | Béla Bartók, Belcea Quartet | E♭ Major | 1 | 5B | 131 BPM | |
 | Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | |
 | War Requiem, Op. 66: ix. Dies Irae - Recordare Iesu pie | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 0 | 9B | 130 BPM | |
 | Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | |
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | |
 | Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | E Minor | 0 | 9A | 72 BPM | |
 | Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | |
 | Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM | |
 | Act III: Trial, Prison, "I Feel The Earth Move" | Philip Glass Ensemble | G Major | 1 | 9B | 75 BPM | |
 | Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | |
 | In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | E Minor | 0 | 9A | 72 BPM | |
 | Agon: No. 1, Pas de quatre | Igor Stravinsky, WDR Sinfonieorchester Köln, Michael Gielen | C Major | 0 | 8B | 137 BPM | |
 | A Waltz Through the Vapor | Justin Rubin, Matthew McCright | E♭ Major | 0 | 5B | 128 BPM | |
 | Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | |
| Waltz | Justin Rubin, Betsy Husby, Alexander Chernyshev | E♭ Major | 0 | 5B | 128 BPM | |
| The Armed Man Should Be Feared (And Other Lessons from the Renaissance): III. Tomorrow the Fox Will Come to Towne | Justin Rubin, Zeitgeist | G Major | 1 | 9B | 179 BPM | |
 | Einstein on the Beach: Knee Play 3 | Philip Glass, Michael Riesman, Marc Jacoby, Philip Gavin Smith, Philip Glass Ensemble | C Major | 3 | 8B | 165 BPM | |
 | Die Walküre, Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Fran | F Major | 2 | 7B | 117 BPM | |
 | Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | |
 | the little match girl passion: lights were shining | David Lang, Theatre Of Voices, Paul Hillier | E♭ Major | 1 | 5B | 92 BPM |
- ISRC
- US8271401386
- Label
- L-M Records/RCA Records