"Nocturnal - Orchestral Version" by Stephen Keech had its release date on April 29, 2022. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Nocturnal, Pt. II". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Nocturnal - Orchestral Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturnal - Orchestral Version by Stephen Keech having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oppenheimer - Can You Hear The Music - Epic Version | Pierre T. Music | E Minor | 6 | 9A | 127 BPM | ||
| It Comes in Waves | Stephen Keech | C Major | 3 | 8B | 75 BPM | ||
| Counsel | Luke Atencio | A♭ Major | 2 | 4B | 120 BPM | ||
| Shaping the Future | TURPAK | F Major | 5 | 7B | 50 BPM | ||
| Welcome | Hannah Parrott | D Minor | 1 | 7A | 90 BPM | ||
| Spectral Echoes | FableForte | C Major | 2 | 8B | 124 BPM | ||
| Forget Tomorrow | Michael Vignola | F♯ Minor | 2 | 11A | 77 BPM | ||
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Cataracta | CVDENCE | D Minor | 2 | 7A | 140 BPM | ||
| Eternal Recluse | Kyle Preston | A Minor | 2 | 8A | 91 BPM | ||
| Fractals | Stephen Keech | D Minor | 3 | 7A | 112 BPM | ||
| Into Thin Air | Thomas James White | A Major | 1 | 11B | 144 BPM | ||
| Beyond Boundaries | Stephen Keech | E Minor | 3 | 9A | 173 BPM | ||
| Cold Memories | LatterLife | C Major | 1 | 8B | 137 BPM | ||
| Deep Breath | Aleksey Chistilin | B Major | 1 | 1B | 107 BPM | ||
| Mei-Yin Codex Archives - Far Beyond | Gareth Coker | A♭ Major | 2 | 4B | 91 BPM | ||
| The Progression of Time | Stephen Keech | A Minor | 2 | 8A | 120 BPM | ||
| The Condor's Flight | Philip Ayers | E Minor | 3 | 9A | 80 BPM | ||
| The Racer | Tristan Barton | A Minor | 4 | 8A | 109 BPM | ||
| Summit Seekers | FableForte | A Minor | 5 | 8A | 114 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Fireborne | Charlie Ryan | A♭ Major | 8 | 4B | 130 BPM | ||
| Satellite | Twelve Titans Music | C Minor | 3 | 5A | 120 BPM | ||
| The Return of Lion El'Jonson - Atmospheric Version | Adeptus Sanctum, Jared Moreno Luna | A♭ Major | 2 | 4B | 91 BPM | ||
| The Last Disaster | Howard Harper-Barnes | A Major | 3 | 11B | 64 BPM |