Danny Elfman's ' "Into The Zoo" was released on its scheduled release date, January 1, 2011. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Real Steel (Original Motion Picture Score)". In this album, this song's track order is #3. In terms of popularity, Into The Zoo is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Into The Zoo by Danny Elfman having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Death Race Main Titles | Paul Haslinger | A Minor | 5 | 8A | 130 BPM | ||
| Hazmat Suit | Bear McCreary | G Major | 1 | 9B | 82 BPM | ||
| History Is Now | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Suspicious Mind (Including End Credits) | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Entering Moscow | Trevor Rabin | D Major | 2 | 10B | 135 BPM | ||
| The Process | Marc Streitenfeld | D Major | 3 | 10B | 88 BPM | ||
| Fernando Po | Chris Benstead | E Minor | 5 | 9A | 86 BPM | ||
| The Flower | Craig Armstrong | A♭ Major | 4 | 4B | 127 BPM | ||
| Define Dancing | Thomas Newman | D♭ Major | 4 | 3B | 99 BPM | ||
| Hiking Together | Danny Elfman | F♯ Major | 2 | 2B | 122 BPM | ||
| Items Of Interest | Chris Benstead | E Minor | 5 | 9A | 86 BPM | ||
| Liquidate | Danny Bensi and Saunder Jurriaans | D Major | 1 | 10B | 67 BPM | ||
| The Ripples Must Be Endless (End Title) | Thomas Newman | C Major | 3 | 8B | 129 BPM | ||
| Fireside Chat | Marcelo Zarvos | F Major | 1 | 7B | 111 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| Finale & End Credits | Joe Kraemer | E Minor | 1 | 9A | 86 BPM | ||
| Not if it's Illegal | Robbie Robertson | B Minor | 2 | 10A | 140 BPM | ||
| The Success Behind Failure | Hugo Obum | D♭ Major | 1 | 3B | 77 BPM | ||
| Shanghai Drive | Thomas Newman | D♭ Major | 4 | 3B | 156 BPM | ||
| Hiring Eddie | Paul Leonard-Morgan | G Major | 8 | 9B | 113 BPM | ||
| Blackheart Beat | Christopher Young | B♭ Minor | 3 | 3A | 120 BPM | ||
| Ruben's In | David Holmes | D♭ Major | 5 | 3B | 115 BPM | ||
| Operation 627 | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Underground / Storm | Burkhard Dallwitz | F♯ Major | 3 | 2B | 114 BPM | ||
| Finding the Team | Rob Simonsen | E Minor | 6 | 9A | 92 BPM |