Elliott Sharp, Eric Mingus's ' "He Didn’t Come Back" was released on its scheduled release date, October 4, 2022. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Songs from a Rogue State". In this album, this song's track order is #9. The popularity of He Didn’t Come Back is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With He Didn’t Come Back by Elliott Sharp, Eric Mingus having a BPM of 213 with a half-time of 106 BPM and a double-time of 426 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cells 12-13 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| The Enormous Room | Chicago Underground Trio | G Major | 1 | 9B | 113 BPM | ||
| Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | ||
| Nucular | Elliott Sharp Trio, Elliott Sharp, Brad Jones, Ches Smith | D♭ Major | 4 | 3B | 101 BPM | ||
| Bullfrog Blues (feat. Elliott Sharp & Kenny Aaronson) | Floyd Lee, Elliott Sharp, Kenny Aaronson | A♭ Major | 5 | 4B | 71 BPM | ||
| Best Friends - Monday Version | Nunes810 | G Major | 3 | 9B | 134 BPM | ||
| No Space Fo Us | Angel Bat Dawid | C Major | 4 | 8B | 108 BPM | ||
| Lorenza in Arabia (feat. Zamir Ahmad Khan & Elliott Sharp) | Niù Abdominaux Dangereux, Zamir Ahmad Khan, Elliott Sharp | D Minor | 7 | 7A | 120 BPM | ||
| The Wild Psalms | Bill Orcutt | B Major | 5 | 1B | 130 BPM | ||
| Please Come To My House | John Lurie | E♭ Minor | 10 | 2A | 85 BPM | ||
| La Nuit Tombe | Hélène Breschand, Elliott Sharp | G Major | 5 | 9B | 146 BPM | ||
| Reflections of Rif | Søren Skov Orbit | F♯ Minor | 5 | 11A | 109 BPM | ||
| Foremostly | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | G Major | 2 | 9B | 114 BPM | ||
| The Book of Void | Peter Evans | D♭ Major | 6 | 3B | 239 BPM | ||
| Compositions 1960: No. 9 - Arr. for Guitar | La Monte Young, Noël Akchoté | D Major | 1 | 10B | 169 BPM | ||
| Agarrame | JhosmelCruz | A♭ Major | 7 | 4B | 144 BPM | ||
| Cells 1-8 | Terry Riley, Brooklyn Raga Massive | C Major | 5 | 8B | 98 BPM | ||
| Party lines | Nunes810 | B♭ Minor | 5 | 3A | 93 BPM | ||
| Waeves Of Peace And Heaven | Christian Amstätter, Federspiel | D♭ Major | 6 | 3B | 239 BPM | ||
| Flutter | John Lurie | E♭ Minor | 4 | 2A | 179 BPM | ||
| Vernon (River Community) | Scott Flynn, Ethan Snyder | D♭ Major | 6 | 3B | 239 BPM | ||
| Mandala | Lloyd Miller, The Heliocentrics | E Major | 6 | 12B | 109 BPM | ||
| A Safe and Certain Death | Sissi Rada | E♭ Minor | 1 | 2A | 78 BPM | ||
| The Quiet Lull Of The Evening Sea | Sergio Armaroli, Steve Piccolo, Elliott Sharp | G Major | 0 | 9B | 65 BPM | ||
| Ne lui dis rien | Hélène Breschand, Elliott Sharp | A Minor | 2 | 8A | 62 BPM |