Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) by Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda Song Details

Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda's 'Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck)' had a release date set for April 5, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #9. The popularity of Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) by Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.268 dB
Acousticness: 99%
Danceability: 24%
Energy: 16%
Instrumentalness: 0%
Liveness: 8%
Loudness: 75%
Speechiness: 4%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Banalités, FP 107: II. Hôtel	Francis Poulenc, Claire Booth, Jâms Coleman	D♭ Minor	1	12A	87 BPM
Du ring an meinem finger	Elin Manahan Thomas	F Major	2	7B	84 BPM
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Borodin: The Sleeping Princess	Alexander Borodin, Galina Vishnevskaya, Mstislav Rostropovich	A Major	0	11B	66 BPM
The House of Life: Silent Noon	Ralph Vaughan Williams, Roderick Williams, Iain Burnside	E♭ Major	0	5B	169 BPM
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Evening songs: V. Z svých písní trůn ti udělám	Bedřich Smetana, Vítězslav Hálek, Friedrich Rückert, Otakar Zich, Miroslav Kopp, Jiri Pokorny, Josef Veselka, Zdeněk Košler, Jiří Bělohlávek, Milan Malý, Václav Neumann, Václav Smetáček, Vladimír Válek, Karel Sejna, Prague Symphony Orchestra, Czech Philharmonic, Dvořák Chamber Orchestra, Suk Trio	D♭ Minor	1	12A	82 BPM
Du bist die Ruh, D. 776 (Orch. Max Reger)	Franz Schubert, Friedrich Rückert, Max Reger, Adelaide Symphony Orchestra, Michael Lewis, David Porcelijn	C Major	1	8B	86 BPM
Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen	Gustav Mahler, Friedrich Rückert, Nils Anders Mortensen, Marianne Beate Kielland	B♭ Major	0	6B	75 BPM
Mit vierzig Jahren, Op. 94, No. 1	Johannes Brahms, Friedrich Rückert, Tor Espen Aspaas, Håvard Stensvold	B Minor	0	10A	95 BPM
Hänsel und Gretel: Abends will ich schlafen gehn	Engelbert Humperdinck, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder	F♯ Minor	2	11A	80 BPM
Kapitel 4.2 - Katzengeschichten von Goethe bis Tucholsky	Kurt Tucholsky, Gustav Schwab, Friedrich Rückert	D♭ Minor	1	12A	82 BPM
4 Lieder, Op. 27, TrV 170: No. 4, Morgen!	Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen	G Major	0	9B	171 BPM
Weber: 6 Lieder, Op. 15: No. 6, Er an Sie, J. 57, "Ein Echo kenn' ich" (Andantino)	Carl Maria von Weber, Hermann Prey, Leonard Hokanson	C Major	0	8B	134 BPM
La ville morte, Act I: Eros invaincu au combat	Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin	D♭ Minor	1	12A	87 BPM
Massenet / Transcr. Kadishson for Voice and Guitar: Élégie	Jules Massenet, Liat Cohen	F Major	1	7B	91 BPM
Lieder (Duette), Op. 63: III. Gruß	Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney	C Major	1	8B	137 BPM
Misatango, Misa a Buenos Aires: III. Gloria	MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra	C Minor	3	5A	82 BPM
Liebespredigt	Halfdan Kjerulf, Friedrich Rückert, Marianne Hirsti, Audun Kayser	B Major	1	1B	89 BPM
Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon)	Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg	A♭ Major	0	4B	76 BPM
Petite messe solennelle: O salutaris Hostia	Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva	G Major	1	9B	91 BPM
The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est	Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins	D♭ Minor	1	12A	87 BPM
Du bist die Ruh	Franz Schubert, Friedrich Rückert, Malte Müller, Götz Payer	B Minor	1	10A	79 BPM