Sam Spence's ' "Rainbows To The End Zone" was released on its scheduled release date, January 1, 1970. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Rainbows To The End Zone's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sam Spence's "Music From NFL Films, Vol. 2" album is number 13 out of 17. Based on our statistics, Rainbows To The End Zone's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Rainbows To The End Zone by Sam Spence to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Few Friends Save Manhattan | Randy Edelman | F Major | 3 | 7B | 83 BPM | ||
| The Place Where Dreams Come True / Shoeless Joe (From "Field Of Dreams") | Erich Kunzel, Cincinnati Pops Orchestra | F Major | 4 | 7B | 70 BPM | ||
| Mothra and the Twin Faeries (From "Mothra vs. Godzilla") | Akira Ifukube, Various Artists | A♭ Major | 2 | 4B | 81 BPM | ||
| Steelmen | Sam Spence | E Minor | 8 | 9A | 138 BPM | ||
| Man, Go Man! | Ralph Dollimore | F Minor | 7 | 4A | 88 BPM | ||
| Barnaby Jones | Daniel Caine Orchestra | F Major | 5 | 7B | 128 BPM | ||
| Touchdown Jubilee | Sam Spence | E Minor | 8 | 9A | 125 BPM | ||
| Terms of Endearment | The London Pops Orchestra, Lord Nelson Corbin | C Major | 4 | 8B | 131 BPM | ||
| Fighting Jayhawk | The University of Kansas Marching Jayhawks | F Major | 7 | 7B | 127 BPM | ||
| Red Dawn: End Title | Czech Philharmonic | B♭ Minor | 0 | 3A | 97 BPM | ||
| Big Country | Jerome Moross, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 4 | 7B | 128 BPM | ||
| PATTON: Intermission | The Meridian Studio Ensemble | F Major | 7 | 7B | 120 BPM | ||
| Running For Love - Instrumental | Harold Faltermeyer | B Minor | 5 | 10A | 105 BPM | ||
| Take Me Out to the Ballgame | Nancy Bea Hefley | D♭ Major | 3 | 3B | 92 BPM | ||
| Bandstand Boogie | Les Elgart | F Major | 6 | 7B | 109 BPM | ||
| Morale ipocrita borghese | Ennio Morricone | C Major | 2 | 8B | 92 BPM | ||
| Marching Melody | US Military Bands | F Minor | 2 | 4A | 122 BPM | ||
| Prime Choice | Sam Spence | G Major | 4 | 9B | 98 BPM | ||
| Bubbles In the Wine | Lawrence Welk | A♭ Major | 2 | 4B | 175 BPM | ||
| Silverado | Hollywood Symphony Orchestra | A Major | 6 | 11B | 121 BPM | ||
| You're a Grand Old Flag | George M. Cohan, United States Air Force Concert Band, Lowell Graham | A♭ Major | 6 | 4B | 108 BPM | ||
| The Battle For Peace - Star Trek VI/Soundtrack Version | Cliff Eidelman | A♭ Major | 1 | 4B | 80 BPM | ||
| Abduction at Airport | John Carpenter | D Major | 3 | 10B | 171 BPM | ||
| Those Magnificent Men in Their Flying Machines | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
| Theme From Lonesome Dove | Basil Poledouris | E♭ Major | 2 | 5B | 78 BPM |