Emily Remler's ' "Mocha Spice" was released on its scheduled release date, May 31, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Retrospective Volume Two: "Compositions"". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Mocha Spice is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mocha Spice by Emily Remler having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Might As Well Be Spring | Jocelyn Gould | C Major | 1 | 8B | 77 BPM | ||
| Lullaby Of Birdland | Jaki Byard | A♭ Major | 1 | 4B | 79 BPM | ||
| Left Behind | Marc Copland, John Abercrombie | F Minor | 2 | 4A | 113 BPM | ||
| I Can't Get Started | Mimi Fox | C Major | 0 | 8B | 113 BPM | ||
| Vinyl Groove | Helios Jazz Club | B♭ Minor | 2 | 3A | 140 BPM | ||
| Stompin' At The Savoy | Kenny Burrell | F♯ Major | 3 | 2B | 150 BPM | ||
| The Way You Look Tonight - Take 2 | Wes Montgomery Trio | F Major | 3 | 7B | 134 BPM | ||
| Summertime | Jonathan Kreisberg | A Minor | 1 | 8A | 112 BPM | ||
| Dat Dere (Live) | Bobby Timmons Trio | A♭ Major | 1 | 4B | 147 BPM | ||
| 朝日のようにさわやかに | The Great Jazz Trio | A♭ Major | 3 | 4B | 84 BPM | ||
| Something To Live For | Billy Strayhorn | G Major | 1 | 9B | 91 BPM | ||
| Effendi | McCoy Tyner Trio | A Minor | 4 | 8A | 69 BPM | ||
| Inception | Emily Remler | C Minor | 2 | 5A | 112 BPM | ||
| Where Flamingos Fly | Karin Krog, John Surman, Rob Luft, Rob Waring | B♭ Minor | 2 | 3A | 140 BPM | ||
| Toshiko's Blues | Toshiko Akiyoshi | C Major | 3 | 8B | 91 BPM | ||
| Strange Meeting | Bill Frisell | C Minor | 4 | 5A | 120 BPM | ||
| Have You Met Miss Jones? | Jimmy Bruno | F Major | 1 | 7B | 97 BPM | ||
| Joy Spring | Larry Coryell, Emily Remler | F Minor | 2 | 4A | 105 BPM | ||
| The Sweetest Sounds | Bobby Timmons | D Minor | 3 | 7A | 135 BPM | ||
| The Man I Love | Toshiko Akiyoshi | F Minor | 3 | 4A | 122 BPM | ||
| Moanin' (Live at the 4 Queens, Las Vegas, May 28, 1984) | Emily Remler | E♭ Major | 4 | 5B | 120 BPM | ||
| Autumn In New York | Tal Farlow | G Minor | 1 | 6A | 75 BPM | ||
| One Finger Snap | Fred Nardin Trio | A♭ Major | 6 | 4B | 82 BPM | ||
| Manteca | Phineas Newborn Jr. | F Minor | 5 | 4A | 121 BPM | ||
| Someday My Prince Will Come (Live at the 4 Queens, Las Vegas, September 19, 1988) | Emily Remler | E♭ Major | 4 | 5B | 120 BPM |