"Raise the Dead" by The Field had its release date on April 1, 2016. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "The Follower". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Raise the Dead is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Raise the Dead by The Field having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bright Tomorrow | Fuck Buttons | F Minor | 4 | 4A | 122 BPM | ||
| Everybody's Got To Learn Sometime | The Field | D♭ Minor | 5 | 12A | 150 BPM | ||
| 2000 Species of Cacti | Avalon Emerson | F♯ Major | 8 | 2B | 123 BPM | ||
| Parting Ways | Max Cooper, Six Sigma | F♯ Major | 6 | 2B | 160 BPM | ||
| Vacuum Boogie | Floating Points | F♯ Major | 9 | 2B | 122 BPM | ||
| Goodnight Morton | Radioactive Man | F Major | 5 | 7B | 155 BPM | ||
| These Days (Instrumental) - Mix Cut | Petter | G Major | 9 | 9B | 127 BPM | ||
| Rock In The Video Age | Jan Jelinek | F♯ Minor | 4 | 11A | 120 BPM | ||
| As Worldly Pleasures Wave Goodbye…. | Two Lone Swordsmen | E Minor | 7 | 9A | 95 BPM | ||
| Favouride | Isolée | B♭ Minor | 6 | 3A | 122 BPM | ||
| It´s Up There | The Field | G Major | 6 | 9B | 121 BPM | ||
| Filter Bubbles | Barker | B Minor | 8 | 10A | 133 BPM | ||
| Kodomotachi | Susumu Yokota | D Major | 1 | 10B | 70 BPM | ||
| Touch Absence | Lanark Artefax | D♭ Major | 10 | 3B | 125 BPM | ||
| Goodbye, Goodbye | µ-Ziq | G Major | 4 | 9B | 130 BPM | ||
| Alles, Immer | Thomas Fehlmann | B♭ Minor | 8 | 3A | 110 BPM | ||
| Aleph 2 | Max Cooper | G Major | 9 | 9B | 118 BPM | ||
| Theme - 2022 Remaster | Arovane | A♭ Major | 8 | 4B | 121 BPM | ||
| Fahrenheit Fair Enough | Telefon Tel Aviv | F Major | 9 | 7B | 130 BPM | ||
| I Love You | Modeselektor | C Major | 9 | 8B | 127 BPM | ||
| Have The Guts | Youandewan | F Major | 9 | 7B | 157 BPM | ||
| Paradise Engineering | Barker | F Major | 10 | 7B | 140 BPM | ||
| Pete Standing Alone | Boards of Canada | F Minor | 5 | 4A | 100 BPM | ||
| How It Was | Andy Stott | B♭ Minor | 4 | 3A | 110 BPM | ||
| Chrome Country | Oneohtrix Point Never | E♭ Major | 3 | 5B | 75 BPM |