"Deep Purple" by Rita Reys, Trio Pim Jacobs had its release date on July 6, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 65 in Collected by Rita Reys. Deep Purple is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deep Purple by Rita Reys, Trio Pim Jacobs is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spring Will Be A Little Late This Year | Pim Jacobs Trio | D♭ Major | 1 | 3B | 103 BPM | ||
| Your Voice Lingers | Velour JAZZ | C Minor | 0 | 5A | 140 BPM | ||
| Paper Airplanes | Sherbourne Rivers | F Major | 4 | 7B | 77 BPM | ||
| Sombra de lo que fue y ya no es | Eterna Ceniza | A Major | 3 | 11B | 95 BPM | ||
| Starting Again Here | Velour JAZZ | B♭ Minor | 2 | 3A | 82 BPM | ||
| Observatory Dome | Impression Blue | F Minor | 3 | 4A | 75 BPM | ||
| Quiet Conversations | SANTY HERLINA | A Major | 2 | 11B | 125 BPM | ||
| We'll Meet Again (Featuring Carol Sloane) | Carol Sloane | G Major | 1 | 9B | 126 BPM | ||
| Never Back Down | Silas Oris | C Minor | 1 | 5A | 75 BPM | ||
| Luz de terciopelo | Zypheron | C Minor | 1 | 5A | 75 BPM | ||
| Do I Miss You | Choll | A♭ Major | 1 | 4B | 68 BPM | ||
| When the Blues Come On | Rita Reys | B Minor | 0 | 10A | 111 BPM | ||
| Rue des Miracles | Zuzana Bing | A Minor | 6 | 8A | 79 BPM | ||
| Brooklyn Nights | Manhattazz | E♭ Major | 3 | 5B | 110 BPM | ||
| Lacquer Serenade | marss ala | F Minor | 2 | 4A | 70 BPM | ||
| Rotunda Columns | Night Toy Orchestra | E♭ Major | 3 | 5B | 239 BPM | ||
| Thief In The Night | Susannah McCorkle | B♭ Major | 2 | 6B | 89 BPM | ||
| Voz de terciopelo | Orbitone | C Minor | 1 | 5A | 75 BPM | ||
| Tiempo lento | Kaelux | C Minor | 1 | 5A | 75 BPM | ||
| Café Noir Confessions | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| Marble Terrace | Fireside Jazz | G Minor | 3 | 6A | 115 BPM | ||
| Kitchen Tiles | The Pastel Hour | B♭ Major | 5 | 6B | 97 BPM | ||
| Books on the Table | Timeless Hour | C Minor | 1 | 5A | 75 BPM | ||
| Champagne at Noon | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| The Good Life | Ann Burton, Louis Van Dijk | C Major | 1 | 8B | 122 BPM |