Satinath Mukherjee's ' "Ami Rabo Chiradin Tomari" was released on its scheduled release date, December 1, 1952. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Ami Rabo Chiradin Tomari's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 34 in All Time Greats, Vol. 1 & 2 by Satinath Mukherjee. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Ami Rabo Chiradin Tomari is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ami Rabo Chiradin Tomari by Satinath Mukherjee is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Ekke Ek | Sanat Sinha | D Major | 4 | 10B | 175 BPM | ||
| Shokatore Oi Kadite | Rezwana Choudhury Bannya | D♭ Major | 4 | 3B | 138 BPM | ||
| Emni Korei Jay Jodi Din Jak Na | Indrani Sen | F Major | 3 | 7B | 131 BPM | ||
| Khelichha E Viswa Loye | Anup Jalota | A♭ Minor | 1 | 1A | 150 BPM | ||
| Jhiri Jhiri Batas Kande | Shyamal Mitra | F Major | 2 | 7B | 170 BPM | ||
| Prayas Hamro | Bhakta Raj Acharya | C Major | 6 | 8B | 150 BPM | ||
| Kajal Nadir Jale | Tarun Banerjee | C Minor | 4 | 5A | 86 BPM | ||
| Madhur Basanta Esechhe | Sagar Sen | F♯ Minor | 3 | 11A | 80 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| Takar Jonno She Amare | Hamid Ali | E Minor | 8 | 9A | 136 BPM | ||
| Ramdhanu Rang Niye | Asha Bhosle | F♯ Minor | 5 | 11A | 94 BPM | ||
| Aaj Bikeler Dake Tomar Chithi | Banasree Sengupta | E♭ Minor | 3 | 2A | 122 BPM | ||
| Chokher Alloy | Indrani Sen | F♯ Major | 4 | 2B | 135 BPM | ||
| Michhe Nari Nirjatan | Parikshit Bala | B Major | 5 | 1B | 110 BPM | ||
| Sakhi Aar Abhiman Janabo Na With Narration | Firoza Begum, Satinath Mukherjee | B♭ Minor | 2 | 3A | 130 BPM | ||
| Jakhan Emon Hoy - Durga Bhajan | Manna Dey | E♭ Major | 4 | 5B | 93 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Aamar Mon Jakhan | Malabika Mukherjee, Satinath Mukherjee | B♭ Major | 4 | 6B | 151 BPM | ||
| Ekhono Sarengita Bajchhe | Haimanti Sukla | D♭ Major | 4 | 3B | 81 BPM | ||
| Ami Manush Hoia | Parikshit Bala | D♭ Major | 5 | 3B | 173 BPM | ||
| Kato Je Tumi Monohar | Chinmoy Chatterjee | F♯ Major | 4 | 2B | 164 BPM | ||
| Aamaar Shadhna Mitilo | Anuradha Paudwal | A Minor | 4 | 8A | 82 BPM | ||
| Jey Din Rabona Aami | Satinath Mukherjee | F♯ Major | 5 | 2B | 144 BPM | ||
| Joubanasarasineere | Hemanta Mukhopadhyay | F♯ Minor | 4 | 11A | 140 BPM |