Satinath Mukherjee's ' "Jey Din Rabona Aami" was released on its scheduled release date, August 18, 2022. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Jey Din Rabona Aami's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Satinath Mukherjee, Sudhirlal Chakraorty's "Hits Of Satinath Mukherjee" album is number 6 out of 13. On top of that, India appears to be the country where this track was created. Based on our statistics, Jey Din Rabona Aami's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Jey Din Rabona Aami by Satinath Mukherjee to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gulmohorer Phul Jhore Jay | Mohd. Rafi | F♯ Minor | 4 | 11A | 146 BPM | ||
| Gabhir Nishithe Ghum Bhenge Jaay - With Narration | Firoza Begum, Satinath Mukherjee | A♭ Major | 2 | 4B | 136 BPM | ||
| Bhebochho Tomaderi Ekar Achhey | Satinath Mukherjee | C Major | 4 | 8B | 114 BPM | ||
| Aakash Bhara Surjo Tara | Prasun Mukherjee | C Major | 4 | 8B | 148 BPM | ||
| Tomar Amar Karo Mukhe Katha Nei | Hemant Kumar, Satinath Mukherjee | D♭ Major | 2 | 3B | 136 BPM | ||
| Dazan Khanek Pola | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Hey Sakha Mamo Hridaye Raho | Rana Dhanuka, Satinath Mukherjee | C Major | 4 | 8B | 57 BPM | ||
| Ami To Tomar Chirodiner Hnasi Kannar Sathi | Nirmala Mishra | E Minor | 5 | 9A | 152 BPM | ||
| Shyama Maa Tor Charan Tole | Swaraj Roy | A Major | 3 | 11B | 63 BPM | ||
| Jibane Jodi Deep Jwalate | Satinath Mukherjee | F Major | 1 | 7B | 67 BPM | ||
| Aamar Jante Eiche Kore | Amrik Singh Arora | B Minor | 5 | 10A | 113 BPM | ||
| Ghazal Ke Phool | Bhupinder Singh, Mitali Singh | E Major | 5 | 12B | 133 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| Tumi Sandhyar Meghmala | Chinmoy Chatterjee | E Minor | 1 | 9A | 135 BPM | ||
| Esho Maa Gauri Maa | Kumar Sanu | F♯ Minor | 4 | 11A | 79 BPM | ||
| Aare Gailey Ki Ashiben Mor | Pratima Barua (Pande), Bhupen Hazarika | B Major | 3 | 1B | 138 BPM | ||
| Ore Kon Ba Jharer Bansh Re | Gostho Gopal Das | F Major | 5 | 7B | 103 BPM | ||
| Aamar Mon Jakhan | Malabika Mukherjee, Satinath Mukherjee | B♭ Major | 4 | 6B | 151 BPM | ||
| Sanganagagane | Hemanta Mukhopadhyay | D Major | 4 | 10B | 154 BPM | ||
| Bosiya Bijane Keno Eka Mone | Satinath Mukherjee | C Major | 2 | 8B | 142 BPM | ||
| Agar Ze Khalq | Ahmad Zahir | B♭ Minor | 7 | 3A | 98 BPM | ||
| Jadi Akash Hoto Ankhi | Aarti Mukherji | A Minor | 3 | 8A | 138 BPM | ||
| Ranjish hi Sahi Dil hi Dukhane | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Sadanandamoyi Kali | Pannalal Bhattacharya | A♭ Minor | 4 | 1A | 70 BPM | ||
| Aaha Aji E Basante Eto Phul Phute | Sagar Sen | E♭ Major | 3 | 5B | 171 BPM |