On March 31, 1976, the song "Sabse Bada Rupaiyya" was released by Mehmood. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 4 in the song's album "Sabse Bada Rupaiya". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Sabse Bada Rupaiyya is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sabse Bada Rupaiyya by Mehmood having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Chumma Chumma | Salma Agha | E♭ Major | 5 | 5B | 185 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Commentry Tabassum And Chingari Koi Bhadke | Tabassum, Kishore Kumar, R. D. Burman | B Minor | 4 | 10A | 87 BPM | ||
| Nakhrewali (From "New Delhi") | Kishore Kumar | D♭ Minor | 6 | 12A | 109 BPM | ||
| Andhe Jahan Ke Andhe Raste | Talat Mahmood | A♭ Minor | 1 | 1A | 127 BPM | ||
| Yeh Hai Bombay Meri Jaan (Aye Dil Hai Mushkil Jeena Yahan) | O. P. Nayyar, Majrooh Sultanpuri | F Major | 4 | 7B | 159 BPM | ||
| Mujhko Yaaron Maaf Karna | Mukesh | D Minor | 3 | 7A | 110 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Diya Jalao | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Ae Jaan-E-Chaman Tera Gora Badan | Mahendra Kapoor | E Minor | 5 | 9A | 111 BPM | ||
| Karun Kya Aas Nirash Bhai | K. L. Saigal | A Major | 1 | 11B | 81 BPM | ||
| Pi Ke Ghar Aaj Pyari Dulhaniya Chali | Shamshad Begum | B♭ Major | 7 | 6B | 103 BPM | ||
| Ek Raaz Hai Mere Seene Mein | Mangal Singh, Alka Yagnik, Simmi Sinha | D Major | 7 | 10B | 110 BPM | ||
| Bhor Aai Gaya Andhiyara | Manna Dey, Kishore Kumar, Lakshmi Shankar, Nirmala Devi, Harindranath Chattopadhyay | D Major | 7 | 10B | 106 BPM | ||
| Samundar Mein Nahake - From "Pukar" | R. D. Burman | D Major | 8 | 10B | 130 BPM | ||
| Salaam Seth Salaam Seth | Anu Malik | A Minor | 7 | 8A | 101 BPM | ||
| Tasveer Banata Hoon | Talat Mahmood | F♯ Major | 3 | 2B | 122 BPM | ||
| Insaaf Ki Dagar Pe | Hemant Kumar | E♭ Major | 5 | 5B | 139 BPM | ||
| O Mere Khwabon Ke Shehzade | Anuradha Paudwal, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 98 BPM | ||
| Chil Chil Chilla Ke (From "Half Ticket") | Kishore Kumar | D Major | 6 | 10B | 71 BPM | ||
| Jane Chaman Shola Badan | Sharda, Mohammed Rafi | D Minor | 6 | 7A | 105 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Mud Mud Ke Na Dekh Mud Mud Ke | Asha Bhosle, Manna Dey, Shailendra | F♯ Major | 3 | 2B | 109 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM |