Bijli Rani's ' "Launda Badnaam Hua" was released on its scheduled release date, September 1, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 9 in Aara Hile Chhapra Hile by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Launda Badnaam Hua's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Launda Badnaam Hua by Bijli Rani is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Dhadhak Aagi Mam | Gorelal Burman, Shantilal Shah | G Major | 5 | 9B | 125 BPM | ||
| Mor Balam Laal Kabutar | Bijli Rani | E♭ Minor | 6 | 2A | 110 BPM | ||
| Gawna Ke Ratiya | Bijli Rani | A♭ Major | 4 | 4B | 89 BPM | ||
| Bhasur Ji Tumko Sunau Re | Bijli Rani | C Minor | 10 | 5A | 125 BPM | ||
| Sogandh Ram Ki Khate Hai | Prakash Mali | B♭ Major | 8 | 6B | 109 BPM | ||
| Dev Ke Mandiriya | Bijli Rani | A Minor | 5 | 8A | 105 BPM | ||
| Jyoti Baba Prasang 10 | Rudal Panjiyar | F♯ Major | 8 | 2B | 73 BPM | ||
| Shani Chalisa | Shailendra Bharti | E Major | 6 | 12B | 90 BPM | ||
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM | ||
| Tera Mera Manua | Madan Gopal | F♯ Major | 5 | 2B | 87 BPM | ||
| Wo Dhadhakat Aagi Ma | Gorelal Barman, Ratan Sabiha | C Minor | 8 | 5A | 118 BPM | ||
| Tui Ki Chili | Ferdous Ara | F Minor | 9 | 4A | 154 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Swastika Mishra | D♭ Major | 9 | 3B | 133 BPM | ||
| Darzi Sila Chhot Ghagari | Bijli Rani | D Major | 8 | 10B | 114 BPM | ||
| Mola Baiha Bana Ke | Gorelal Barman, Ratan Sabiha | D♭ Minor | 9 | 12A | 86 BPM | ||
| TERI MAND MAND MUSAKANIYA | Mahesh Hiremath | A♭ Major | 5 | 4B | 129 BPM | ||
| Bhuk Ta Chire Dekh Re Tora | Emon Khan | B Minor | 7 | 10A | 156 BPM | ||
| Jasoda Nachato go Ma | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Maa Ke Naam Ki Sanjivani | Shahnaz Akhtar | C Major | 4 | 8B | 170 BPM | ||
| Dilshad Zakhmi Ki Ghazal | Dilshad Zakhmi | B Major | 9 | 1B | 126 BPM | ||
| Mayi Ho Didiya Kanha Gayili | Arvind Akela Kallu Ji | B♭ Minor | 9 | 3A | 154 BPM | ||
| Bhagobat Podey Pawa Jay Na | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Shubharambh (Shree Durga Stuti Path) | Saurabh Madhukar, Keshav Madhukar | F Minor | 6 | 4A | 96 BPM |