Ludwig van Beethoven, Jeremy Polmear, Diana Ambache's 'Adagio for a Musical Clock, WoO 33/1' had a release date set for 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Oboe Masterworks". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Adagio for a Musical Clock, WoO 33/1 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio for a Musical Clock, WoO 33/1 by Ludwig van Beethoven, Jeremy Polmear, Diana Ambache having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El rapto de las Sabinas, Suite No. 2, Acto II, No. 14: Maestoso | Joan Enric Lluna, Moonwinds | E♭ Major | 1 | 5B | 135 BPM | ||
| Concerto for Flute and Oboe in C Major: Largo | Antonio Salieri, Anthony Camden, Peter Lloyd, City of London Sinfonia, Nicholas Ward | F Major | 1 | 7B | 62 BPM | ||
| Berceuse pour flûte et harpe, Op. 16 | Gabriel Fauré, Maxence Larrieu, Susanna Mildonian | C Major | 0 | 8B | 80 BPM | ||
| Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Hee-young Lim | C Major | 1 | 8B | 116 BPM | ||
| Una Voce Poco Fa (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | E♭ Major | 1 | 5B | 145 BPM | ||
| Oboe Concerto in E-Flat Major | Vincenzo Bellini, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 118 BPM | ||
| Cello Concerto No. 1 in G Major: II. Romance. Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 176 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: VII. Notturno. Con moto tranquillo | Felix Mendelssohn, Orpheus Chamber Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Sinfonia a otto, ZWV 189: II. Andante | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | F Major | 2 | 7B | 45 BPM | ||
| Adagio for a Musical Clock, WoO 33/1 | Ludwig van Beethoven, Jeremy Polmear, Diana Ambache | F Major | 0 | 7B | 168 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variazione IV | Ernst Krähmer, Claudio Ferrarini | C Major | 0 | 8B | 132 BPM | ||
| Symphony in A Major: IV. Finale | Adalbert Gyrowetz, London Mozart Players, Howard Griffiths | A Major | 2 | 11B | 75 BPM | ||
| Concerto for Trumpet and Orchestra in E Major: I. Allegro con spirito | Johann Nepomuk Hummel, Virtuosi Saxoniae, Ludwig Güttler | B Major | 2 | 1B | 137 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Andra Dārziņa, Urban Camerata | C Major | 1 | 8B | 135 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:3: III. Finale. Presto | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | F Major | 2 | 7B | 140 BPM | ||
| 3 Romances, Op. 22 (Arr. for Oboe & Piano by Nicholas Daniel): No. 1, Andante molto | Clara Schumann, Nicholas Daniel, Julius Drake | D♭ Major | 1 | 3B | 69 BPM | ||
| Streichtrio Nr. 4 in Es-Dur, op. 7: Largo | Wenzel Pichl, Ensemble Agora | B♭ Major | 0 | 6B | 133 BPM | ||
| An die Nachtigall. Op. 46, No. 4 (Arr. for Viola and Piano) | Johannes Brahms, Nils Mönkemeyer | C Major | 0 | 8B | 83 BPM | ||
| Bassoon Concerto in E minor, RV 484: 2. Andante | Antonio Vivaldi, Klaus Thunemann, Shizuko Noiri, I Musici | E Minor | 5 | 9A | 125 BPM | ||
| String Quartet in B-Flat Major, Op. 2, No. 5, Ben. 311: III. Rondo. Grazioso | Ignaz Pleyel, Enso String Quartet | B♭ Major | 1 | 6B | 128 BPM | ||
| Symphony in F Major, Op. 3, No. 5, W. C5: II. Andante | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | G Major | 0 | 9B | 77 BPM | ||
| Symphony in E-Flat Major, Op. 11, No. 3: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E♭ Major | 2 | 5B | 83 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| Beethoven: Septet in E-Flat Major, Op. 20: IV. Tema con variazioni. Andante | Ludwig van Beethoven, Nash Ensemble | C Major | 2 | 8B | 82 BPM |