- BPM
- 78
- Key
- G Major
- Camelot
- 9B
Improvisation on "Fascinating Rhythm" by George Gershwin, Wayne Marshall Song Details
"Improvisation on "Fascinating Rhythm"" by George Gershwin, Wayne Marshall had its release date on October 20, 1997. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Improvisation on "Fascinating Rhythm"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 17 in A Gershwin Songbook & Improvisations by George Gershwin, Wayne Marshall. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Improvisation on "Fascinating Rhythm" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Improvisation on "Fascinating Rhythm" by George Gershwin, Wayne Marshall is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.588 dB
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 2%
- Instrumentalness
- 70%
- Liveness
- 10%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | |
 | Le Bœuf sur le toit, Op. 58 | Darius Milhaud, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 2 | 7B | 106 BPM | |
 | 2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | |
 | Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | |
 | Porgy And Bess: Summertime | George Gershwin, Betty Lane, Houston Grand Opera Women"s Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | |
 | 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | |
 | Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | |
 | Porgy and Bess: Jasbo Brown's Blues | George Gershwin, Frank Braley | G Major | 1 | 9B | 83 BPM | |
 | Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | |
 | Gershwin: Variations on "I Got Rhythm" | George Gershwin, Seiji Ozawa, Alexis Weissenberg, Karl Leister, Berliner Philharmoniker | E Major | 0 | 12B | 116 BPM | |
 | 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) | Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet | G Major | 0 | 9B | 52 BPM | |
 | Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | |
 | Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM | |
 | Piano Concerto No. 23 in A Major, K. 488: I. Allegro (Cadenza by Busoni) | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | |
 | Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | |
 | Shall We Dance: They Can't Take That Away From Me | Peter Breiner, Juray Bartos, George Gershwin | A♭ Major | 0 | 4B | 64 BPM | |
 | Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | |
 | Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | |
 | Play Piano Play (10 Übungsstücke für Yuko): VI. Presto possibile | Glenn Gould, Friedrich Gulda, Sasha Grynyuk | B♭ Minor | 3 | 3A | 152 BPM | |
 | Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | |
 | Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | |
 | Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | |
 | Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM |
- ISRC
- GBPFW0700772
- Label
- L-M Records/RCA Records