"Norma: Casta Diva" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Gabriela Cegolea had its release date on May 15, 2012. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Norma: Casta Diva is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Norma: Casta Diva by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Gabriela Cegolea having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
| La vita è bella | Nicola Piovani | A Major | 1 | 11B | 125 BPM | ||
| Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
| Overture 1812, Op. 49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
| Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt | Georges Bizet, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | A Major | 4 | 11B | 136 BPM | ||
| Adagietto della quintasinfonia in mi minore (Morte a venezia) | Compagnia d'Opera Italiana Orchestra | F Major | 2 | 7B | 82 BPM | ||
| Turkish March | Arthur Fiedler | B♭ Major | 3 | 6B | 128 BPM | ||
| Nessun doma - Turandot | Giacomo Puccini, Giuseppe Adami, Carlo Simoni, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | D Major | 4 | 10B | 86 BPM | ||
| Sonata per violino e arpa: I. Larghetto | Gaetano Donizetti, Liliana Bernardi, Nicoletta Sanzin | A Major | 1 | 11B | 95 BPM | ||
| Romeo & Juliet, Op. 64, Act I: No. 13, Dance of the Knights (Montagues & Capulets) | Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 101 BPM | ||
| Carmina Burana: I. O fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
| Verdi: Nabucco, Act 3: "Va pensiero", 'Chorus of the Hebrew slaves' (Chorus) | Giuseppe Verdi, Carlo Rizzi, Chorus of the National Academy of Saint Cecilia, Orchestra of the National Academy of Saint Cecilia | E Major | 0 | 12B | 79 BPM | ||
| The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 1 in C Major, BWV 846 | Classical Coterie | C Major | 0 | 8B | 217 BPM | ||
| La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
| Lascia Ch´Io Pianga | Montserrat Caballé | C Major | 1 | 8B | 144 BPM | ||
| Dal balletto "lo schiaccianoci" (Fantasia) - Walzer Dei Fiori | Compagnia d'Opera Italiana Orchestra | D Major | 3 | 10B | 93 BPM | ||
| アルビノーニのアダージョ (アルビノーニ~ジャゾット編) | Tomaso Albinoni, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | C Minor | 1 | 5A | 79 BPM | ||
| Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) | Martha Argerich, Piotr Anderszewski | B♭ Major | 3 | 6B | 77 BPM | ||
| La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
| Rondò Veneziano | Gian Piero Reverberi, L. Giordano, Rondò Veneziano | F Major | 7 | 7B | 130 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
| Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Waltz No. 2 from "Jazz Suite 2" | Dmitri Shostakovich, Jan Vogler | C Minor | 5 | 5A | 181 BPM |