Tre Momenti for Cello and String Orchestra: I. Speranze by Matilde Capuis, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds Song Details

"Tre Momenti for Cello and String Orchestra: I. Speranze" by Matilde Capuis, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds had its release date on February 3, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 33 in Femmes by Raphaela Gromes, Lucerne Festival Strings, Julian Riem, Daniel Dodds. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Tre Momenti for Cello and String Orchestra: I. Speranze is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Tre Momenti for Cello and String Orchestra: I. Speranze by Matilde Capuis, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -17.543 dB
Acousticness: 89%
Danceability: 19%
Energy: 17%
Instrumentalness: 92%
Liveness: 11%
Loudness: 71%
Speechiness: 4%
Valence: 7%

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