"Six-Armed Robbing Suit" by Halo, Stephen Rippy had its release date on February 17, 2009. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Six-Armed Robbing Suit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stephen Rippy's "Halo Wars (Original Soundtrack)" album is number 10 out of 25. On top of that, United States appears to be the country where this track was created. Six-Armed Robbing Suit is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six-Armed Robbing Suit by Halo, Stephen Rippy to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Man | Cris Velasco, Sascha Dikiciyan | F Minor | 3 | 4A | 119 BPM | ||
| In Pursuit of Saren | Sam Hulick, EA Games Soundtrack | E Major | 4 | 12B | 114 BPM | ||
| Leisurely Brows | Stephen Rippy, Kevin McMullan | A Minor | 3 | 8A | 100 BPM | ||
| Helium 3 | Dynamedion | G Minor | 2 | 6A | 79 BPM | ||
| Origin System | George Spanos | B♭ Major | 1 | 6B | 86 BPM | ||
| The Briefest Glimpse | Tom Salta | C Major | 1 | 8B | 72 BPM | ||
| Soapstone Visions | Lifeformed, Janice Kwan | C Major | 3 | 8B | 128 BPM | ||
| Bivouacked | Gordy Haab, Brian Trifon, Brian Lee White | C Major | 7 | 8B | 160 BPM | ||
| Dragons' Rest | Derek Duke | A♭ Minor | 2 | 1A | 77 BPM | ||
| The Shadow System | David García Díaz | A Minor | 1 | 8A | 51 BPM | ||
| Mac-V | Sean Murray | D Major | 7 | 10B | 92 BPM | ||
| Frameshift & Starports: Frameshift Suite - Sixth Movement – Canes Venatici | Erasmus Talbot | A Minor | 6 | 8A | 128 BPM | ||
| Twin Souls | Hyperduck Soundworks | B♭ Minor | 1 | 3A | 79 BPM | ||
| Geodesic | Arnaud Roy | C Minor | 2 | 5A | 114 BPM | ||
| Entering TYM | Michael McCann | C Major | 2 | 8B | 100 BPM | ||
| One Problem At a Time | Halo, Stephen Rippy | E Minor | 2 | 9A | 111 BPM | ||
| Lost Cities | Arnaud Roy | A♭ Major | 4 | 4B | 144 BPM | ||
| Ne | George Strezov | E Minor | 4 | 9A | 180 BPM | ||
| Detritus | Ben Prunty | E Minor | 2 | 9A | 176 BPM | ||
| To Catch a Traitor | Tom Salta | C Major | 1 | 8B | 72 BPM | ||
| Fire from the Sky | Johan Skugge, Jukka Rintamäki | D♭ Minor | 6 | 12A | 147 BPM | ||
| Drexel | Sean Murray | D♭ Major | 5 | 3B | 130 BPM | ||
| Penthouse | Michael McCann | D♭ Major | 1 | 3B | 50 BPM | ||
| Into Darkness | Jeremy Soule, The Elder Scrolls | B Minor | 0 | 10A | 84 BPM | ||
| End Credits Part 2 | Joel Nielsen | G Minor | 4 | 6A | 125 BPM |