Manu Martin, Jean-Yves Thibaudet's ' "Lim Cosmic Rhapsody for Piano and Orchestra, Act I: III. Transition to Humanimate" was released on its scheduled release date, May 2, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Manu Martin, Jean-Yves Thibaudet, London Voices, Royal Philharmonic Orchestra, Robert Ziegler's "Lim Cosmic Rhapsody for Piano & Orchestra" album is number 3 out of 33. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Lim Cosmic Rhapsody for Piano and Orchestra, Act I: III. Transition to Humanimate is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lim Cosmic Rhapsody for Piano and Orchestra, Act I: III. Transition to Humanimate by Manu Martin, Jean-Yves Thibaudet to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Fell in Love That November | Jon Adamich | D♭ Major | 4 | 3B | 131 BPM | ||
| The Four Seasons and Bunta | Yu Takami | E Major | 2 | 12B | 90 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| Adagio Sostenuto | Café del mundo, Deutsches Filmorchester Babelsberg | E Major | 1 | 12B | 90 BPM | ||
| The Curious Case of Benjamin Button: Daisy’s Ballet Career | Alexandre Desplat, Orchestre de Paris, Olga Amelchenko | D♭ Major | 1 | 3B | 169 BPM | ||
| Pie Yesu | Emeka Onuoha | F Major | 2 | 7B | 71 BPM | ||
| Hymn To The Fallen (From "Saving Private Ryan") | Danish National Symphony Orchestra, Christian Schumann | A Minor | 2 | 8A | 126 BPM | ||
| Complejo De Inferioridad | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| Strawberry Waltz | Dalal | B Minor | 2 | 10A | 149 BPM | ||
| Lim Cosmic Rhapsody for Piano and Orchestra, Act I: I. Preambule | Manu Martin, Jean-Yves Thibaudet | A Major | 7 | 11B | 164 BPM | ||
| Adriano and Paolas Theme | Paolo Vivaldi | A Minor | 4 | 8A | 108 BPM | ||
| Sense for a Moment | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Ludmilla W Strakowa | A Minor | 2 | 8A | 119 BPM | ||
| Carpe diem (From "Dead Poets Society") | Renaud Capuçon | C Minor | 1 | 5A | 105 BPM | ||
| Islandus: Flora II “The Lily” | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | G Major | 1 | 9B | 84 BPM | ||
| Dark Red Theme 3 - From "Victor Frankenstein" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | A Minor | 2 | 8A | 124 BPM | ||
| Chaplin: Swing High Little Girl (Arr. Lehn for Trumpet and Orchestra) | Charlie Chaplin, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | F Major | 1 | 7B | 111 BPM | ||
| She Need You | Sibille Crawford, Neon Lilith, Mara Xantal | B♭ Major | 3 | 6B | 135 BPM | ||
| La Cinquième Saison, Op. 15: II. La Source: La rivière des soupirs 2 | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | E Minor | 3 | 9A | 125 BPM | ||
| DNA (Arr. Knoth for Piano Quintet) | Ludovico Einaudi, Mari Samuelsen, Karolina Errera, Alexander Kovalev, Otto Tolonen, Julien Quentin | D♭ Minor | 1 | 12A | 94 BPM | ||
| Piano Quintet No.1, 'Bloomsbury' | Avery Bright, RØRE | D Major | 2 | 10B | 101 BPM | ||
| Lumen Prime Aurore | Mary Finsterer, Melbourne Symphony Orchestra, Benjamin Northey | E Minor | 2 | 9A | 118 BPM | ||
| Come In!: IV. Movement | Vladimir Martynov, Eldbjørg Hemsing, NDR Radiophilharmonie, Michael England | A Major | 2 | 11B | 63 BPM | ||
| Variation 1: III. Homes in the Sky | Matthew Slater, London Metropolitan Orchestra | F Minor | 1 | 4A | 74 BPM | ||
| Lim Cosmic Rhapsody for Piano and Orchestra, Act II: IV: The ALANaut Song | Manu Martin, Jean-Yves Thibaudet, London Voices, Royal Philharmonic Orchestra, Robert Ziegler | F Major | 0 | 7B | 173 BPM | ||
| Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM |