"The Night We Called It a Day" by Chris Connor had its release date on August 12, 1994. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 24 in A Jazz Date With Chris Connor by Chris Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Night We Called It a Day is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Night We Called It a Day by Chris Connor is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonlight In Vermont | Johnny Hartman | G Major | 1 | 9B | 61 BPM | ||
| Willow Weep For Me | Dakota Staton | C Major | 3 | 8B | 97 BPM | ||
| Opportunity, Please Knock | Chris Connor | G Minor | 3 | 6A | 105 BPM | ||
| How Little We Know | Susannah McCorkle | D♭ Major | 2 | 3B | 121 BPM | ||
| Miles to Go | Clover Keys Music | B♭ Major | 3 | 6B | 103 BPM | ||
| I'm Confessin' (That I Love You) | Dean Martin | B Minor | 0 | 10A | 182 BPM | ||
| Never Will I Marry (Nancy Wilson & the Cannonball Adderley Quintet) | Nancy Wilson | F Major | 1 | 7B | 49 BPM | ||
| The Lady Is A Tramp | Susannah McCorkle | D Major | 3 | 10B | 137 BPM | ||
| A Lover Like You | Beverly Kenney | A♭ Major | 1 | 4B | 95 BPM | ||
| All My Life | Ernestine Anderson | F Minor | 2 | 4A | 77 BPM | ||
| The Folks Who Live on the Hill | Ann Hampton Callaway | G Major | 1 | 9B | 114 BPM | ||
| Waitin' For The Train To Come In | Ruth Cameron | C Major | 2 | 8B | 100 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| I Let A Song Go Out Of My Heart | Lena Horne | A Major | 2 | 11B | 103 BPM | ||
| Violets For Your Furs | Jutta Hipp, Zoot Sims | E♭ Major | 1 | 5B | 67 BPM | ||
| I Didn't Know What Time It Was | Sarah Vaughan | A Minor | 1 | 8A | 122 BPM | ||
| The Things We Did Last Summer | Dizzy Reece | A♭ Major | 2 | 4B | 131 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| Lover Come Back To Me | The Ben Webster Quintet | B♭ Major | 1 | 6B | 130 BPM | ||
| You Go To My Head | Susannah McCorkle | A♭ Minor | 0 | 1A | 111 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| Duke Ellington's Sound of Love | Sophie Wellington | B♭ Minor | 4 | 3A | 119 BPM | ||
| Here's That Rainy Day | Gene Ammons | F Major | 1 | 7B | 96 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| Do Nothin' Till You Hear From Me | Mose Allison | A♭ Major | 2 | 4B | 84 BPM |