- BPM
- 125
- Key
- B Minor
- Camelot
- 10A
Chapter 56 - The Future by Catherine Leroux, Karie Richards Song Details
On January 16, 2024, the song "Chapter 56 - The Future" was released by Catherine Leroux, Karie Richards. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #56. Furthermore, we believe that the track originated from Germany. Based on our statistics, Chapter 56 - The Future's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With Chapter 56 - The Future by Catherine Leroux, Karie Richards having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -13.065 dB
- Acousticness
- 0%
- Danceability
- 76%
- Energy
- 63%
- Instrumentalness
- 40%
- Liveness
- 21%
- Loudness
- 78%
- Speechiness
- 5%
- Valence
- 82%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | |
 | Garland of Sonnets, Op. 44: No. 3, Moderato con moto | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Major | 1 | 7B | 131 BPM | |
 | Drifting | Mia Brentano, Benyamin Nuss, Billy Test | G Major | 4 | 9B | 111 BPM | |
 | Wind & Earth | Simon Zöchbauer, Federspiel | F Major | 0 | 7B | 130 BPM | |
 | Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | F Major | 0 | 7B | 130 BPM | |
 | Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | |
 | Le tombeau de Couperin, M. 68: I. Prélude (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | F Major | 0 | 7B | 130 BPM | |
 | Chapter 171 - The Future | Catherine Leroux, Karie Richards | F Major | 0 | 7B | 130 BPM | |
 | Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | |
 | Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | |
 | Rustiques | Eugène Bozza, Eric Aubier, Pascal Godart | F Major | 1 | 7B | 170 BPM | |
 | Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | |
 | Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 0 | 7B | 130 BPM | |
 | Seven Nuggets: VI. Emerald, Uncut | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | |
 | Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | F Major | 0 | 7B | 130 BPM | |
 | Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | |
 | L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | |
 | Liebestraum No. 3, S 541 | Franz Liszt, Michael Collins, Michael McHale | A♭ Major | 0 | 4B | 76 BPM | |
 | O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | |
 | Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | |
 | Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | |
 | Pacific Triptych (Version for Piano): III. Toccata | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | |
 | Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | |
 | Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM |
- ISRC
- DEUE12467303
- Label
- L-M Records/RCA Records