"Wagner: Die Walküre, Act 3: Walkürenritt (Concert Version. Lebhaft)" by Richard Wagner, Klaus Tennstedt, Berliner Philharmoniker had its release date on 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Opera Orchestral Music by Richard Wagner, Klaus Tennstedt, Berliner Philharmoniker. The song's track number on the album is #1 out of 11 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Die Walküre, Act 3: Walkürenritt (Concert Version. Lebhaft) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Die Walküre, Act 3: Walkürenritt (Concert Version. Lebhaft) by Richard Wagner, Klaus Tennstedt, Berliner Philharmoniker has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Die Walküre, Act 3: Walkürenritt (Concert Version. Lebhaft) being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peer Gynt, Op. 23 - Incidental Music: No. 8 In the Hall of the Mountain King | Edvard Grieg, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Gösta Ohlin | B♭ Major | 1 | 6B | 130 BPM | ||
| Der fliegende Hollander (The Flying Dutchman): Ouverture | Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg | D Minor | 1 | 7A | 86 BPM | ||
| Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace | Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 80 BPM | ||
| El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
| L'Apprenti sorcier | Paul Dukas, Berliner Philharmoniker, James Levine | F Minor | 4 | 4A | 125 BPM | ||
| La traviata / Act 3: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 135 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Violin Concerto in A Minor, BWV 1041: I. [Allegro] | Nigel Kennedy, Berliner Philharmoniker | A Minor | 2 | 8A | 95 BPM | ||
| III. The Flight of the Bumble-Bee | Gerhard Wiesenhütter, Leipzig Gewandhaus Orchestra | G Minor | 2 | 6A | 169 BPM | ||
| Lohengrin, Act III: Prelude | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Choir, NDR Chor, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Semyon Bychkov | G Major | 2 | 9B | 126 BPM | ||
| Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 2. Largo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | D♭ Major | 0 | 3B | 84 BPM | ||
| Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Toréadors | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 4 | 7A | 119 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM | ||
| Carmina Burana: VI. Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
| Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Hervé Niquet | G Major | 3 | 9B | 133 BPM | ||
| Carmina Burana: I. O fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
| Fucik : Entry of the Gladiators Op.68 | Julius Fučík, Václav Neumann, Czech Philharmonic | C Major | 6 | 8B | 121 BPM | ||
| The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Viktoria Mullova, Chamber Orchestra of Europe, Claudio Abbado | C Major | 3 | 8B | 70 BPM | ||
| Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | D Major | 1 | 10B | 85 BPM | ||
| Carmina Burana: XIV. In taberna quando sumus | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM | ||
| Requiem, K. 626 (Ed. Beyer/Levin): IIIf. Lacrimosa - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Minor | 1 | 7A | 119 BPM | ||
| The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "Summer": III. Presto | Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale | G Major | 5 | 9B | 170 BPM | ||
| Light Cavalry: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 64 BPM |