"Verzweiflung" by Ralf Wengenmayr, Marvin Miller had its release date on October 26, 2018. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 19 in Ballon (Original Motion Picture Soundtrack) by Ralf Wengenmayr, Marvin Miller. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Verzweiflung's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verzweiflung by Ralf Wengenmayr, Marvin Miller is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The King's Man | Matthew Margeson, Dominic Lewis | C Minor | 3 | 5A | 79 BPM | ||
| Home, I Should Think | Carter Burwell | B♭ Major | 2 | 6B | 98 BPM | ||
| Anton's Busfahrt (La Fuga) | Antonio Miglietta | D♭ Major | 5 | 3B | 97 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Finale | Henry Jackman, Matthew Margeson | C Minor | 5 | 5A | 99 BPM | ||
| Run With the Herd - From "The Good Dinosaur" Score | Mychael Danna, Jeff Danna | D Major | 3 | 10B | 120 BPM | ||
| All For One | Paul Haslinger | E Minor | 3 | 9A | 92 BPM | ||
| You Weren't There | George Fenton | G Major | 0 | 9B | 60 BPM | ||
| Stand Up (The Chicago 7) | Daniel Pemberton | D♭ Major | 3 | 3B | 79 BPM | ||
| You Never Came Back for Me | David Hirschfelder | A Minor | 1 | 8A | 87 BPM | ||
| See You Again | Mychael Danna | E Major | 1 | 12B | 96 BPM | ||
| Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | ||
| Chorale | Martin Phipps | A Major | 1 | 11B | 75 BPM | ||
| Strange People | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| What A Beautiful Day! | George Fenton | E Major | 3 | 12B | 125 BPM | ||
| When One Door Closes | Rachel Portman | B Major | 1 | 1B | 125 BPM | ||
| Writing the Chronicles | James Horner | D♭ Major | 1 | 3B | 116 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| The Sunlit Night | Enis Rotthoff | B♭ Major | 2 | 6B | 120 BPM | ||
| Joy and Longing | Niki Reiser | E Minor | 1 | 9A | 140 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| A Lead | Carlos Rafael Rivera | D Minor | 0 | 7A | 72 BPM | ||
| Expotition to London | Geoff Zanelli, Jon Brion | D Minor | 1 | 7A | 63 BPM | ||
| Der erste Traum | Sebastian Pille | D Minor | 1 | 7A | 104 BPM |