"5 Mirrors: No. 4. —" by Peter Machajdik, Boris Lenko had its release date on December 1, 2015. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 5 Mirrors: No. 4. —'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Machajdik's "Machajdík: Deserted Tracks" album is number 16 out of 18. Based on our statistics, 5 Mirrors: No. 4. —'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 Mirrors: No. 4. — by Peter Machajdik, Boris Lenko to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horror | Sky Melody | G Major | 2 | 9B | 134 BPM | ||
| A Bad E Could Be the Best | Christian Schittenhelm, Peter Jablonski | G Major | 2 | 9B | 77 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Resonance, Episode 10 | Tomasz Trzcinski | C Major | 1 | 8B | 74 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Deserted Tracks: No. 2. — | Peter Machajdik, Kristina Lesicka, Mayuko Kida | A Minor | 0 | 8A | 96 BPM | ||
| Now Found Is The Fairest Of Roses (Arr. For String Quartet) | Traditional, Danish String Quartet | G Major | 0 | 9B | 96 BPM | ||
| Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 115 BPM | ||
| Comme une danse (After Tieteberga, RV 737, Sento in seno) | Antonio Vivaldi, Sonia Wieder-Atherton | E Minor | 0 | 9A | 91 BPM | ||
| Midday Tumble | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Music for Self-Isolation: Harp | Frank Horvat, Sharlene Wallace | C Major | 0 | 8B | 76 BPM | ||
| Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
| Für Alina (Reprise) | Arvo Pärt, Alexander Malter | F♯ Minor | 0 | 11A | 80 BPM | ||
| Variationen zur Gesundung von Arinuschka | Arvo Pärt, Anna Gourari | A Minor | 0 | 8A | 133 BPM | ||
| Miniature No. 1 | Jette Mogensen | A Minor | 0 | 8A | 69 BPM | ||
| Pacific Triptych (Version for Piano): I. Following the Sunrise | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| Arrive on the Mat | The Yoga Pianist | G Major | 2 | 9B | 134 BPM | ||
| Night Loops | Ellis Ludwig-Leone, Lavinia Meijer | E Minor | 2 | 9A | 120 BPM | ||
| Youth: IX. Heath | Edmund Finnis, Clare Hammond | D♭ Minor | 0 | 12A | 83 BPM | ||
| Metaphor for violin, cello, and piano | Peter Machajdík, Proxima Piano Trio | A Minor | 1 | 8A | 63 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| Thoughts | Echos in tempo | G Major | 2 | 9B | 134 BPM | ||
| Dido´s Lament | Henry Purcell, David Orlowsky, David Bergmüller | A♭ Minor | 1 | 1A | 79 BPM | ||
| Silent Wanderings | Peter Machajdik | G Major | 0 | 9B | 112 BPM |