Beirut's 'Disappearances and Losses' had a release date set for April 18, 2025. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Disappearances and Losses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in A Study of Losses by Beirut. Disappearances and Losses is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Disappearances and Losses by Beirut is Lento (slowly), since this song has a tempo of 51 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Musique pour le lever du jour - Short Version | Melaine Dalibert, David Sylvian | F Minor | 0 | 4A | 76 BPM | ||
| Slow Singers On The Hill | Steve Gunn | G Major | 1 | 9B | 68 BPM | ||
| Before I Sleep | Keith Kenniff, Goldmund, Scott Moore | C Minor | 2 | 5A | 140 BPM | ||
| what is most important? | Mark Guiliana | G Major | 3 | 9B | 112 BPM | ||
| Beautification Technologies | Qasim Naqvi | A Minor | 1 | 8A | 120 BPM | ||
| Reflets | Laurie Torres | F♯ Major | 2 | 2B | 174 BPM | ||
| River That Flows Two Ways | Jefre Cantu-Ledesma | A♭ Major | 0 | 4B | 89 BPM | ||
| Hermes | Hayden Pedigo | D Major | 2 | 10B | 93 BPM | ||
| Daze | Kara-Lis Coverdale | F♯ Minor | 1 | 11A | 68 BPM | ||
| Disappearances and Losses | Beirut | F Major | 2 | 7B | 51 BPM | ||
| Intro - Whatever Words Can't Say | Bianca Steck | D♭ Minor | 3 | 12A | 120 BPM | ||
| Under The Mariana Trench | Pan-American, Kramer | G Major | 0 | 9B | 72 BPM | ||
| I Am In A Church In Gravesend Listening To Old Vinyl And Drinking Coffee | Max Cooper | F♯ Major | 3 | 2B | 66 BPM | ||
| Rose | Felicia Atkinson | D Minor | 0 | 7A | 74 BPM | ||
| There Was Somebody There | Ezra Feinberg, David Moore, Jefre Cantu-Ledesma | A Minor | 3 | 8A | 100 BPM | ||
| One Of These Days | The Notwist | B♭ Major | 0 | 6B | 85 BPM | ||
| Interlude_ | Charlie Cunningham | G Major | 2 | 9B | 140 BPM | ||
| Upstairs Cabaret | Sophia Kennedy | F♯ Minor | 3 | 11A | 90 BPM | ||
| Rhea (Circle 53) | Robot Koch, Foam and Sand, Kate Fleur Young | F♯ Major | 0 | 2B | 63 BPM | ||
| Verona Walls | DOVS | E♭ Major | 1 | 5B | 90 BPM | ||
| Bright Belief | Jonny Nash | A♭ Minor | 2 | 1A | 104 BPM | ||
| Echoes of the Wild | Biggi Hilmars | G Minor | 1 | 6A | 87 BPM | ||
| Passing Through | Okonski | E Minor | 1 | 9A | 129 BPM | ||
| Spark | Loscil | A Minor | 2 | 8A | 67 BPM | ||
| winter i | Felbm | E♭ Major | 3 | 5B | 80 BPM |