Messiah, HWV 56 / Pt. 2: Let Us Break Their Bonds Asunder by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Song Details

George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis's ' "Messiah, HWV 56 / Pt. 2: Let Us Break Their Bonds Asunder" was released on its scheduled release date, January 1, 2013. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #14. In terms of popularity, Messiah, HWV 56 / Pt. 2: Let Us Break Their Bonds Asunder is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Messiah, HWV 56 / Pt. 2: Let Us Break Their Bonds Asunder by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 11%
Loudness: -15.921 dB
Acousticness: 94%
Danceability: 47%
Energy: 34%
Instrumentalness: 4%
Liveness: 49%
Loudness: 73%
Speechiness: 3%
Valence: 69%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Messiah, HWV 56 / Pt. 3: Behold, I Tell You A Mystery	George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold	A Major	1	11B	87 BPM
Lift Up Your Heads O Ye Gates	101 Strings Orchestra	F Major	5	7B	105 BPM
II. Comfort ye my people	London Philharmonic Orchestra	B Major	2	1B	77 BPM
Messiah, HWV 56: Part 1: Comfort ye my people (Accompagnato)	Nikolaus Harnoncourt	B♭ Major	1	6B	175 BPM
O Holy Night (From 'The Glorious Sound Of Christmas')	EUGENE ORMANDY & THE PHILADELPHIA ORCHESTRA	E♭ Major	2	5B	173 BPM
Break Forth, O Wondrous Heavenly Light - From "Christmas Oratorio"	Robert Shaw, Robert Shaw Chamber Singers	G Major	2	9B	67 BPM
Lift Up Your Heads, O Ye Gates - Live	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	F Major	1	7B	104 BPM
Christmas Oratorio, BWV 248: Part I, 8. Arie "Großer Herr und starker König"	Johann Sebastian Bach, Akademie für Alte Musik Berlin, Klaus Hager, RIAS Kammerchor, René Jacobs	E♭ Major	0	5B	85 BPM
Comfort Ye, My People	The Choir and Orchestra of Pro Christe	B Major	0	1B	87 BPM
And the Glory of the Lord	The Choir and Orchestra of Pro Christe	E Major	2	12B	158 BPM
Messiah / Part 2: "He that dwelleth in heaven...Thou shalt break them"	George Frideric Handel, Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	2	8B	96 BPM
Oratorio de Noël, Op. 12: Quintet and Chorus. Consurge, Filia Sion (Soprano, Soprano, Alto, Basso, Chorus)	Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann	G Major	1	9B	73 BPM
L'enfance du Christ, H 130 - Arr. Chris Hazell: L'adieu des bergers	Hector Berlioz, Renée Fleming, London Voices, Royal Philharmonic Orchestra, Andreas Delfs	F Major	1	7B	81 BPM
Silent Night	Franz Xaver Gruber, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop	D Major	1	10B	65 BPM
Der Stern von Bethlehem, Op. 164: I. Erwartungen	Josef Rheinberger, Symphonie-Orchester Graunke, Bavarian Radio Chorus, Robert Heger	A Major	2	11B	113 BPM
Surely He Hath Borne Our Griefs	The Tabernacle Choir at Temple Square, Orchestra at Temple Square	F Minor	2	4A	120 BPM
Christmas Day	Gustav Holst, The American Boychoir, James Litton	E♭ Major	1	5B	86 BPM
Berlioz: L'Enfance du Christ, Op. 25, H. 130, Pt. 2: No. 8, Adieu des bergers à la Sainte-Famille, "Il s'en va loin de la terre" (Les Bergers)	Hector Berlioz, Choeurs Rene Duclos, Orchestre De La Société Des Concerts Du Conservatoire, André Cluytens	D Major	0	10B	115 BPM
Good Christian men rejoice	Anonymous, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de Cormier	F Major	1	7B	92 BPM
Gesù Bambino	Pietro Yon, Kathleen Battle, Leonard Slatkin, The Boys Choir Of Harlem, Orchestra of St. Luke's, New York Choral Artists	G Major	1	9B	65 BPM
And The Glory Of The Lord	London Philharmonic Orchestra	E Major	4	12B	71 BPM
Sunny Bank	The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Sissel	F Major	6	7B	116 BPM
Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi	Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury	B♭ Major	1	6B	98 BPM
Messiah, HWV 56, Pt. 3: No. 46, Chorus. Since By Man Came Death	George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	D♭ Minor	0	12A	125 BPM
Lauft ihr Hirten allzugleich in B-Flat Major, MH 217	Joseph Haydn, Augsburger Domsingknaben, Residenz-Kammerorchester München, Reinhard Kammler	F Major	2	7B	125 BPM