"Dom & Celeste Meet the Pig" by John Harrison had its release date on March 15, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 20 in Effects Motion Picture Soundtrack by John Harrison. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Dom & Celeste Meet the Pig is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dom & Celeste Meet the Pig by John Harrison is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opera Theme - From "Opera" | Bill Wyman, Terry Taylor | G Major | 3 | 9B | 140 BPM | ||
| To Light Alone I Bow | S U R V I V E | B♭ Major | 2 | 6B | 120 BPM | ||
| Child's Play Theme (1988) | Bear McCreary | B Minor | 4 | 10A | 76 BPM | ||
| "10 Haunted Hotels" | Gabriel Yared | G Major | 6 | 9B | 91 BPM | ||
| The Shining | The Newton Brothers | G Major | 2 | 9B | 89 BPM | ||
| L'alba dei morti viventi | Goblin | C Major | 3 | 8B | 127 BPM | ||
| Pete’s Boogie (Previously Unreleased) | David Lynch, Alan R. Splet | B♭ Major | 6 | 6B | 122 BPM | ||
| the Conjuring | joseph bishara | D Major | 1 | 10B | 86 BPM | ||
| Jennifer Leads the Attack | John Harrison | A Minor | 0 | 8A | 109 BPM | ||
| Oltre la soglia | Fabio Frizzi | D Major | 4 | 10B | 96 BPM | ||
| Reese & Sarah in Garage | Brad Fiedel | A Major | 4 | 11B | 88 BPM | ||
| The Retribution | Pino Donaggio | B♭ Major | 0 | 6B | 169 BPM | ||
| Map And Willie | Dave Grusin | F♯ Minor | 1 | 11A | 172 BPM | ||
| L'Etang | Marcelle Gauvin, Dino Govoni, Brian Torff, John Harrison, Alan Hall | F Major | 2 | 7B | 107 BPM | ||
| Linger | Disasterpeace | B Major | 1 | 1B | 120 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Strip Croquet | David Newman | D Minor | 1 | 7A | 90 BPM | ||
| Rod Hanged / Night Stalking | Charles Bernstein | F Minor | 3 | 4A | 120 BPM | ||
| Massacre Highlights | Harold Faltermeyer | E Major | 4 | 12B | 137 BPM | ||
| Amityville Horror Main Title | Lalo Schifrin | A Major | 3 | 11B | 69 BPM | ||
| Seance | Ataraxia, Mort Garson | A Major | 5 | 11B | 165 BPM | ||
| Here We Go Again (Opening Titles) | Harry Manfredini | F Minor | 5 | 4A | 80 BPM | ||
| The Crate | John Harrison | A Major | 3 | 11B | 147 BPM | ||
| the Further | joseph bishara | D♭ Minor | 2 | 12A | 78 BPM | ||
| The Massacre (Main Theme) | Ross Tregenza, Wes Keltner | A♭ Major | 7 | 4B | 99 BPM |