On January 1, 2000, the song "The Darktown Strutters Ball" was released by Sid Phillips. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Darktown Strutters Ball's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Best Of Sid Phillips". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Darktown Strutters Ball's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Darktown Strutters Ball by Sid Phillips having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| True Confession | Larry Clinton | B♭ Minor | 1 | 3A | 89 BPM | ||
| Baby, Won't You Please Come Home | Jimmie Lunceford | F Major | 4 | 7B | 171 BPM | ||
| Mad About The Boy | Helen Forrest | G Minor | 1 | 6A | 79 BPM | ||
| Why Don't We Do This More Often | Kay Kyser & His Orchestra, Ginny Simms | C Major | 3 | 8B | 110 BPM | ||
| Breezin' Along with the Breeze | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| Anthony | Andrea Litkei, Ervin Litkei | A♭ Major | 5 | 4B | 122 BPM | ||
| When We Count the Raindrops | Jack Shaindlin | G Minor | 4 | 6A | 78 BPM | ||
| Sing You Sinners | Fletcher Henderson | C Major | 3 | 8B | 110 BPM | ||
| Cherokee | Charlie Barnet | B♭ Major | 4 | 6B | 172 BPM | ||
| Mister Charles | Sid Phillips | B♭ Major | 6 | 6B | 191 BPM | ||
| You're in Style | Jack Shaindlin | E♭ Major | 5 | 5B | 99 BPM | ||
| Sports Boogie | Gerhard Trede | C Major | 3 | 8B | 179 BPM | ||
| Duck Soup | Charlie Ross | C Major | 3 | 8B | 110 BPM | ||
| On the Beach with You | Bunny Berigan, Chester Leighton & His Sophomores | C Major | 3 | 8B | 110 BPM | ||
| Tiger Rag | Sid Phillips | B♭ Major | 3 | 6B | 124 BPM | ||
| Midnite in a Madhouse (Midnite in Harlem) | Chick Webb | C Major | 3 | 8B | 110 BPM | ||
| After You've Gone | The Charleston Chasers | B♭ Major | 4 | 6B | 121 BPM | ||
| Dancing in the Moonlight | Rudy Vallee and His Connecticut Yankees | C Major | 3 | 8B | 110 BPM | ||
| Makin' Whoopee | Eddie Cantor | C Major | 3 | 8B | 110 BPM | ||
| Jack, You're Dead! | Louis Jordan & His Tympany Five | A♭ Major | 2 | 4B | 182 BPM | ||
| Don't Let The Stars Get In Your Eyes | Perry Como | A♭ Major | 4 | 4B | 123 BPM | ||
| Easy Living | Bob Howard | A♭ Major | 1 | 4B | 137 BPM | ||
| Black And Blue | Frankie Laine | A Minor | 3 | 8A | 96 BPM | ||
| Party Time | Jack Shaindlin | C Minor | 5 | 5A | 151 BPM | ||
| Shake Rattle and Roll | Charlie Barnet | C Major | 3 | 8B | 110 BPM |