"Imperfect Lock" by Hans Zimmer had its release date on November 18, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hans Zimmer's "Interstellar (Original Motion Picture Soundtrack) [Expanded Edition]" album is number 21 out of 30. On top of that, United States appears to be the country where this track was created. Based on our statistics, Imperfect Lock's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Imperfect Lock by Hans Zimmer to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Now You See Me | Brian Tyler | D♭ Major | 5 | 3B | 101 BPM | ||
| See You...In Hell | Christopher Drake | D Minor | 3 | 7A | 115 BPM | ||
| The Transported Man | The Prestige | E Major | 1 | 12B | 127 BPM | ||
| 1.1_4-hateurself.ra | Mac Quayle | B Major | 2 | 1B | 96 BPM | ||
| Navigating the Beach | Christophe Beck | D Major | 2 | 10B | 173 BPM | ||
| Inception Suite: Part 2, Time | Hans Zimmer, Alexios Anest, Rusanda Panfili, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| The Night Window (From "1917" Soundtrack) | Thomas Newman | B♭ Major | 1 | 6B | 77 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| Tron's Promise (Scars Suite) | Joseph Trapanese | F Minor | 3 | 4A | 129 BPM | ||
| Call Me Joker | Hildur Guðnadóttir | D Major | 3 | 10B | 121 BPM | ||
| Paige's Past | Joseph Trapanese | D♭ Major | 2 | 3B | 80 BPM | ||
| Underwater March | Klaus Badelt | B♭ Major | 2 | 6B | 69 BPM | ||
| Afraid of Time | Hans Zimmer | A Minor | 0 | 8A | 120 BPM | ||
| Tadarida | James Newton Howard, Hans Zimmer | D Major | 2 | 10B | 129 BPM | ||
| Evacuation | Hildur Guðnadóttir | E♭ Minor | 2 | 2A | 77 BPM | ||
| Flight to the Ford | Howard Shore | C Major | 1 | 8B | 109 BPM | ||
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| Tanks | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| 1.0_7-waitfortheQ.ogg | Mac Quayle | F Minor | 1 | 4A | 71 BPM | ||
| Arkham Origins Main Titles | Christopher Drake | G Minor | 6 | 6A | 106 BPM | ||
| Annihilation | Ben Salisbury, Geoff Barrow | E♭ Major | 1 | 5B | 92 BPM | ||
| Rush Orchestra Suite - Live | Hans Zimmer, Marie Spaemann, Amir-John Haddad, Snow Owl, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 5 | 7A | 80 BPM | ||
| To Galaxy | Neil Davidge | C Major | 7 | 8B | 146 BPM | ||
| Still Gone | Trent Reznor and Atticus Ross | G Major | 1 | 9B | 96 BPM |