"Dardanus, RCT 35: Tambourins I & II (1)" by Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon had its release date on October 30, 2015. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Dardanus, RCT 35: Tambourins I & II (1)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 27 in Best of French Baroque by Tafelmusik Baroque Orchestra, Jeanne Lamon. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dardanus, RCT 35: Tambourins I & II (1) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dardanus, RCT 35: Tambourins I & II (1) by Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
| Anacréon - original version / Scene 1: "Règne, ô divin Bacchus!" - "Que le transport de ton ivresse" (Anacréon) | Jean-Philippe Rameau, Thierry Felix, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | E♭ Major | 1 | 5B | 106 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | ||
| Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | ||
| Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 96 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham | F♯ Minor | 0 | 11A | 79 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | ||
| Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | C Major | 0 | 8B | 70 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Martha Argerich | F♯ Major | 3 | 2B | 104 BPM | ||
| Cello Concerto No. 6 in D Major, G. 479: II. Adagio | Luigi Boccherini, Steven Isserlis, Orchestra of the Age of Enlightenment | A Major | 0 | 11B | 71 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Suite Les Boréades, RCT 31: 9. Entrée d' Albaris, Polimnie, les Muses, Zéphirs, Saisons, Les Heures et Les Arts | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 85 BPM | ||
| La divisione del Mondo: Aria "Occhi miei si dormire" | Giovanni Legrenzi, Théotime Langlois de Swarte, Le Consort | B♭ Minor | 1 | 3A | 173 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
| Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
| Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM |