"Chant - Martin" by Donald Rubinstein had its release date on November 7, 2007. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 12 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Chant - Martin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Chant - Martin by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das schoß des irrtums | Popol Vuh | B Major | 5 | 1B | 100 BPM | ||
| Demon | Claudio Simonetti | B♭ Minor | 8 | 3A | 101 BPM | ||
| Orchestral Arches: III. Dolente - Live | Maya Badian, National Arts Centre Orchestra, Gary Kulesha | E♭ Major | 2 | 5B | 111 BPM | ||
| Brought on by Night | Christopher Young | A♭ Major | 1 | 4B | 65 BPM | ||
| Acid Test | Jerry Goldsmith | A Major | 2 | 11B | 43 BPM | ||
| Death Dies, Pt. 2 - Film Version | Claudio Simonetti, Massimo Morante, Fabio Pignatelli, Walter Martino | A Major | 8 | 11B | 134 BPM | ||
| A Woman Can Take You To Another Universe - Sometimes She Justs Leaves You There | John Lurie | G Minor | 0 | 6A | 80 BPM | ||
| Celestial Nocturne in D Minor | Arjun Tara | C Minor | 0 | 5A | 100 BPM | ||
| Epilogue | John Harrison | D♭ Major | 5 | 3B | 136 BPM | ||
| Zmartwychwstanie: II. Stichíra | Krzysztof Penderecki, Andrzej Markowski | G Minor | 6 | 6A | 175 BPM | ||
| Unprepared Piano | Coil | A Minor | 1 | 8A | 103 BPM | ||
| Wendy and Kay | Jason Hill | F Minor | 0 | 4A | 71 BPM | ||
| Search Me There | Mark Prechtwahn | C Major | 1 | 8B | 162 BPM | ||
| The Garden of Earthly Delights | Spk | F Major | 7 | 7B | 121 BPM | ||
| Lamenta | Mark Snow | D Minor | 1 | 7A | 71 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Hollywood Night | Donald Rubinstein | G Major | 1 | 9B | 105 BPM | ||
| Opening Theme | Philip Mossman & Darren Morris | D♭ Major | 1 | 3B | 82 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Станция (Из к/ф "Солярис") | Eduard Artemyev | D♭ Major | 3 | 3B | 82 BPM | ||
| The Man From The Alarm Company | Jason Hill | C Major | 1 | 8B | 127 BPM | ||
| Main Titles | Richard Band | A Minor | 2 | 8A | 59 BPM | ||
| Growing The Grass | David Izna | C Minor | 0 | 5A | 72 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| The Black Drop | Mount Vernon Arts Lab | C Minor | 2 | 5A | 122 BPM |