Conte Candoli's ' "Full Count" was released on its scheduled release date, October 10, 2010. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Conte Candoli's "Jazz After Dark" album is number 14 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Full Count's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Full Count by Conte Candoli to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One of Those Days | Geoff Gascoyne, Dave O'Higgins, Sebastiaan De Krom, Graham Harvey | F Minor | 4 | 4A | 104 BPM | ||
| More Than a Feeling | Orión Natera | B Minor | 5 | 10A | 128 BPM | ||
| My Funny Valentine - Live | Frank Rosolino, Conte Candoli | C Major | 4 | 8B | 86 BPM | ||
| Temple of Flow | SwisUp | G Minor | 3 | 6A | 134 BPM | ||
| Totalmente Solo | Cromatica nocturna | B♭ Major | 3 | 6B | 172 BPM | ||
| Down for Double | Al Cohn, Joe Newman, Freddie Green | A♭ Major | 4 | 4B | 205 BPM | ||
| Every Shape of Pause | Fifth Window | F Minor | 1 | 4A | 217 BPM | ||
| They Can't Take That Away From Me | Conte Candoli | G Minor | 4 | 6A | 80 BPM | ||
| Soft Shoes on Wood | Milo Crescent | G Minor | 3 | 6A | 134 BPM | ||
| Brass After Midnight - Jazz Version | Between Silences, Across the Brass | G Minor | 3 | 6A | 134 BPM | ||
| Golden Horn Jam | Horn Society | F Major | 2 | 7B | 61 BPM | ||
| Sweet Rain (For Stan Getz), Pt. 1 | Michael Gibbs | F Major | 6 | 7B | 92 BPM | ||
| There Is No Greater Love - Live | Frank Rosolino, Conte Candoli | C Major | 5 | 8B | 115 BPM | ||
| Warming Up | The Billy Taylor Trio | D♭ Major | 3 | 3B | 112 BPM | ||
| Guardians of the Ashen Wastes | AethericArtisan | C Major | 4 | 8B | 109 BPM | ||
| Harvest Moon Swing | EugDJ | F Minor | 2 | 4A | 138 BPM | ||
| Diane | Conte Candoli | F Minor | 3 | 4A | 133 BPM | ||
| Speak Low | Kai Winding | C Minor | 4 | 5A | 110 BPM | ||
| Easy On The Ear | Twobones, Isla Eckinger | F Minor | 5 | 4A | 133 BPM | ||
| This Love Of Mine | Elvin Jones | G Major | 3 | 9B | 119 BPM | ||
| Trial Run | The Jazz Room | F Minor | 3 | 4A | 62 BPM | ||
| Body And Soul | Paul Gonsalves | B♭ Minor | 2 | 3A | 64 BPM | ||
| Well, You Needn't - Remastered | Ray Bryant | D♭ Major | 5 | 3B | 89 BPM | ||
| Tune for Tex | Conte Candoli | D Major | 6 | 10B | 172 BPM | ||
| On the Alamo | Conte Candoli | G Minor | 6 | 6A | 186 BPM |