Champaign's ' "Every Breakup" was released on its scheduled release date, February 15, 1991. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 10 in Champaign IV by Champaign. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Every Breakup is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Every Breakup by Champaign is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swing Your Daddy | Jim Gilstrap | B Major | 5 | 1B | 82 BPM | ||
| One Hundred Ways - New Version | James Ingram | A♭ Major | 5 | 4B | 90 BPM | ||
| The Way It Should Be | Ray, Goodman & Brown | A Minor | 4 | 8A | 146 BPM | ||
| I Don't Think That Man Should Sleep Alone | Ray Parker Jr. | B♭ Minor | 5 | 3A | 112 BPM | ||
| (They Long To Be) Close To You | Gwen Guthrie | C Major | 4 | 8B | 97 BPM | ||
| Slow Motion | Gerald Alston | B Minor | 7 | 10A | 63 BPM | ||
| Hold Me | Sheila E. | D Minor | 4 | 7A | 76 BPM | ||
| Woman in Love | The Three Degrees | F Minor | 4 | 4A | 79 BPM | ||
| Don't Take It Personal | Jermaine Jackson | E♭ Minor | 5 | 2A | 95 BPM | ||
| Toby | The Chi-Lites | A♭ Major | 6 | 4B | 131 BPM | ||
| I Can Hardly Wait | Isley, Jasper, Isley | B Minor | 7 | 10A | 81 BPM | ||
| Share | Champaign | C Major | 4 | 8B | 128 BPM | ||
| Don't Look Any Further | Dennis Edwards, Siedah Garrett | A Minor | 7 | 8A | 95 BPM | ||
| Back to Stay | Gregory Abbott | A Major | 8 | 11B | 117 BPM | ||
| Circles | Atlantic Starr | E Minor | 6 | 9A | 116 BPM | ||
| Just Be Good To Me - 12" Vocal Remix | The S.O.S Band, Reggie Thompson, Scott Folks | B Minor | 8 | 10A | 102 BPM | ||
| Baby, I Love Your Way/Freebird | Will To Power | G Major | 4 | 9B | 151 BPM | ||
| When You're In Love With A Beautiful Woman | Dr. Hook | A Major | 6 | 11B | 114 BPM | ||
| Stranger | L.T.D. | F♯ Major | 4 | 2B | 76 BPM | ||
| Come Home to Me | Miki Howard | C Major | 6 | 8B | 80 BPM | ||
| Oh Girl | The Chi-Lites | C Minor | 5 | 5A | 135 BPM | ||
| Say You Will | Gregory Abbott | F Minor | 6 | 4A | 102 BPM | ||
| Show You the Way to Go | The Jacksons | D Major | 5 | 10B | 109 BPM | ||
| Off and On Love | Champaign | G Minor | 3 | 6A | 111 BPM | ||
| After the Love Has Gone | Earth, Wind & Fire | F♯ Major | 4 | 2B | 132 BPM |