Jimmy Smith's ' "Bass Face" was released on its scheduled release date, January 1, 1986. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jimmy Smith's "Go For Whatcha Know" album is number 3 out of 6. On top of that, United States appears to be the country where this track was created. Bass Face is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Bass Face by Jimmy Smith to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cornbread | Lee Morgan | C Minor | 5 | 5A | 129 BPM | ||
| Midnight Blue - Remastered 1999/Rudy Van Gelder Edition | Kenny Burrell | F Minor | 4 | 4A | 149 BPM | ||
| Work Song | Nat Adderley | E♭ Major | 2 | 5B | 78 BPM | ||
| Fly Me To The Moon | The Howard Roberts Quartet | C Minor | 2 | 5A | 131 BPM | ||
| Greasy | Jackie McLean | E♭ Major | 3 | 5B | 79 BPM | ||
| It's Your Thing | Lou Donaldson | C Minor | 5 | 5A | 87 BPM | ||
| Minor Chant | Jimmy Smith | F Minor | 4 | 4A | 88 BPM | ||
| Come On Home - Rudy Van Gelder Edition / Remastered | Horace Silver Quintet | E♭ Minor | 4 | 2A | 110 BPM | ||
| Quantrale | Curtis Fuller | B♭ Minor | 5 | 3A | 78 BPM | ||
| Corcovado | Shirley Scott | C Major | 3 | 8B | 80 BPM | ||
| The Jasmin Tree - 2010 Remaster | The Modern Jazz Quartet | A♭ Major | 4 | 4B | 105 BPM | ||
| Satin Doll | The Howard Roberts Quartet | C Major | 2 | 8B | 63 BPM | ||
| Yesterdays | Wes Montgomery Trio | A Minor | 1 | 8A | 149 BPM | ||
| Things Ain't What They Used To Be | Jim Hall | F♯ Major | 0 | 2B | 91 BPM | ||
| Sweetheart | Charles Kynard | F Minor | 4 | 4A | 89 BPM | ||
| Blue Riff | Stanley Turrentine | F♯ Major | 5 | 2B | 118 BPM | ||
| All Blues | Ron Carter | C Major | 2 | 8B | 116 BPM | ||
| Bohemia After Dark | Oscar Pettiford | G Minor | 4 | 6A | 90 BPM | ||
| Stick With It | Ray Bryant Trio | G Minor | 4 | 6A | 106 BPM | ||
| Yes I Can, No You Can't | Lee Morgan | B♭ Major | 7 | 6B | 123 BPM | ||
| The Cape Verdean Blues - Rudy Van Gelder Edition / 2003 Remastered | Horace Silver Quintet, J.J. Johnson | A♭ Major | 8 | 4B | 135 BPM | ||
| Sugar | Stanley Turrentine | C Minor | 5 | 5A | 124 BPM | ||
| Sweet Honey Bee | Duke Pearson | F Minor | 4 | 4A | 121 BPM | ||
| Statement | Milt Jackson Quartet | A♭ Major | 3 | 4B | 97 BPM | ||
| Smile, Stacey - Remastered | Stanley Turrentine | G Minor | 6 | 6A | 114 BPM |