Harry Robertson's 'Hawk The SLayer' had a release date set for November 13, 2015. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Harry Robertson's "Hawk The Slayer: Original Motion Picture Soundtrack" album is number 1 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Hawk The SLayer's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hawk The SLayer by Harry Robertson to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme from "Where Eagles Dare" | Geoff Love & His Orchestra | F Minor | 5 | 4A | 112 BPM | ||
| The Neutral Zone: Romulan Encounter | Ron Jones | D Minor | 2 | 7A | 131 BPM | ||
| The Running Man: Intro/Bakersfield - New Version | M.S. | G Major | 4 | 9B | 130 BPM | ||
| Matriz | Vexel Mode | D Major | 3 | 10B | 94 BPM | ||
| The Murder | Maurice Jarre | D♭ Major | 3 | 3B | 160 BPM | ||
| The Run | Tangerine Dream | B♭ Minor | 8 | 3A | 112 BPM | ||
| Anacott Steal | Stewart Copeland | D♭ Major | 6 | 3B | 90 BPM | ||
| Off To Vegas/Drive Off/On A Vegas Street | Mel Wesson | D Major | 8 | 10B | 132 BPM | ||
| Hawaii / Amber Sneaks / Richards' Betrayal / Blast Off | Harold Faltermeyer | A♭ Major | 5 | 4B | 122 BPM | ||
| Just Me | Maria Korbova, Mery Leon | C Major | 1 | 8B | 110 BPM | ||
| Pulse | Arcadia | C Major | 3 | 8B | 115 BPM | ||
| Intimidad | Universos Terrenales | A♭ Minor | 1 | 1A | 142 BPM | ||
| Always Alone | Sabir Babayev, Strelka | C Minor | 6 | 5A | 65 BPM | ||
| Sin Resultados | Bellum Sanctus | F Minor | 1 | 4A | 81 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Blue meadow | KAPOSK | F Major | 0 | 7B | 80 BPM | ||
| Come with Me | Sara Baghirova, Sara Bag | D Minor | 4 | 7A | 105 BPM | ||
| Durant Is Dead - Score Version | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Daigoro's Theme | W. Michael Lewis, Mark Lindsay, Wonderland Philharmonic | G Minor | 3 | 6A | 173 BPM | ||
| Jogger's Stakeout - From "Manhunter" Soundtrack | The Reds | C Major | 3 | 8B | 181 BPM | ||
| Drogo-Son of Voltan | Harry Robertson | G Minor | 4 | 6A | 144 BPM | ||
| Somewhere | Samira Bashirova, Sgold | E Minor | 3 | 9A | 90 BPM | ||
| Temporada Alta | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
| Airport Chase | Harold Faltermeyer | B Major | 7 | 1B | 120 BPM | ||
| Evacuation - From “The Killing Fields” Soundtrack / Remastered 2015 | Mike Oldfield | A Minor | 3 | 8A | 106 BPM |