On 2005, the song "Shyam Tune Milne Ka" was released by Master Rana. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Ram Bharoso (Avo Mara Ram, Pt. 2)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Shyam Tune Milne Ka is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Shyam Tune Milne Ka by Master Rana having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hum Balak Naadaan Hume Do Gyan Sharde Maa Saraswati Bhajan | Vishal Khera | F♯ Major | 8 | 2B | 80 BPM | ||
| Maha Balavant Maya Tamari | Hasmukh Patadia | B Minor | 3 | 10A | 114 BPM | ||
| HARE JULE JELE SHRINATHJI- HALRDU | Nidhi Dholkia | F♯ Major | 6 | 2B | 115 BPM | ||
| Hira Moti Sona Chandi Naam Che Jalaram Jogi | Farida Mir | E♭ Minor | 7 | 2A | 80 BPM | ||
| Aavo Aavo Sundarvar Ora | Shree Swaminarayan Mandir Kalupur | D♭ Major | 8 | 3B | 154 BPM | ||
| Aasmani Rangni Chundadi | Master Rana | F Minor | 4 | 4A | 141 BPM | ||
| Hari Chhel Bajae | Rajkot Gurukul | D♭ Major | 8 | 3B | 120 BPM | ||
| Hoon Badha Sanjog | Manhar Udhas | E♭ Major | 5 | 5B | 135 BPM | ||
| Shrinathji Sharanam Mamah | Asif Jeriya, Minakshi Vadher | F Major | 4 | 7B | 79 BPM | ||
| Dhan Dhan Ho Reva Mai | Nimadi Narmada Bhajan | Ashwin Yadav, Badal Joshi, O P Patel | G Major | 6 | 9B | 150 BPM | ||
| Aaj Mara Mandiriyama Mhale | Master Rana | F♯ Major | 5 | 2B | 76 BPM | ||
| Maru Man Dodi Dodi Amarnath Jay | Kiran Prajapati | F♯ Major | 5 | 2B | 156 BPM | ||
| KANJI TARI MA KESE PAN | Nitin Devka | A♭ Major | 8 | 4B | 105 BPM | ||
| Aragh Mora Lei Lihin | DEVI | D Minor | 5 | 7A | 98 BPM | ||
| Katha Visharjan Viday | Dhaval Kumar | D♭ Major | 7 | 3B | 84 BPM | ||
| Naman Hu Karu Visvapal Ne | Swami Shree Chhapaiyaprakashdasji | F♯ Major | 4 | 2B | 138 BPM | ||
| KACHI RE MATI NU KODIYU | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Jai Jai Maharani Yamuna Aarti | Milpa Patel, Master Rana | G Major | 6 | 9B | 79 BPM | ||
| Lagan Lollipop Remix | Master Rana, Humayun Makrani, Umesh Barot, Puja Joshi, Parikshit Tamaliya, Pooja Mistry, Anurag Prapanna, Dipika Raval | E Minor | 9 | 9A | 142 BPM | ||
| Tataniya Dharawali Khodal Mata | Meena Patel | C Major | 7 | 8B | 155 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Maiya Mangu Tari Paas | Kanu Patel | B♭ Minor | 5 | 3A | 86 BPM | ||
| Vaishnav Jan To Tene Re | Praful Dave | E♭ Major | 7 | 5B | 97 BPM | ||
| Nand Lala Ne Morlivalane | Nidhi Dholakia, Vinod Thakor | B♭ Major | 8 | 6B | 102 BPM |