On 1988, the song "Not Be Alright" was released by Mary Margaret O'Hara. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mary Margaret O'Hara's "Miss America" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Not Be Alright is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Not Be Alright by Mary Margaret O'Hara to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucinda Williams | Vic Chesnutt | F Major | 5 | 7B | 99 BPM | ||
| Song for Sharon | Joni Mitchell | A♭ Major | 5 | 4B | 106 BPM | ||
| Wildegeeses | Michael Hurley | E Minor | 3 | 9A | 87 BPM | ||
| Folk Song | Bongwater | G Major | 4 | 9B | 98 BPM | ||
| Frozen Warnings | Nico | F Minor | 4 | 4A | 83 BPM | ||
| The Void | The Raincoats | D Major | 7 | 10B | 105 BPM | ||
| Miami | Cate Le Bon | D Major | 5 | 10B | 90 BPM | ||
| Bound by the Beauty | Jane Siberry | E Major | 5 | 12B | 163 BPM | ||
| Can We Go Home Now | The Roches | C Major | 2 | 8B | 100 BPM | ||
| Rain | Mary Margaret O'Hara | A♭ Major | 5 | 4B | 82 BPM | ||
| Alley Flowers | Jolie Holland | C Major | 1 | 8B | 80 BPM | ||
| Shadows and Light | Joni Mitchell | D Major | 0 | 10B | 94 BPM | ||
| Sad Waters | Nick Cave & The Bad Seeds | C Minor | 5 | 5A | 135 BPM | ||
| Cold Blue Steel and Sweet Fire | Joni Mitchell | C Major | 3 | 8B | 110 BPM | ||
| Tumour | Lizzy Mercier Descloux | A Major | 3 | 11B | 83 BPM | ||
| Spain | Kristin Hersh | D Major | 7 | 10B | 95 BPM | ||
| When the Day Is Short | Martha Wainwright | C Major | 6 | 8B | 119 BPM | ||
| Dear Darling | Mary Margaret O'Hara | G Major | 0 | 9B | 66 BPM | ||
| Leaving It Up To You | John Cale | A Major | 6 | 11B | 94 BPM | ||
| Urge for Going | Joni Mitchell | F Major | 2 | 7B | 115 BPM | ||
| Murderers, The Hope of Women | Momus | A Minor | 2 | 8A | 149 BPM | ||
| Go Leave | Kate & Anna McGarrigle | E♭ Major | 0 | 5B | 73 BPM | ||
| The Soul Of Carmen Miranda | John Cale | C Major | 3 | 8B | 119 BPM | ||
| Farewell (Tavern In The Town) | Self-Titled Studios, Mary Margaret O'Hara | E♭ Major | 2 | 5B | 133 BPM | ||
| Talk to Me of Mendocino | Kate & Anna McGarrigle | F Major | 1 | 7B | 77 BPM |