- BPM
- 169
- Key
- C Major
- Camelot
- 8B
One String Quartet by Peter Griffith, The Composers String Quartet Song Details
"One String Quartet" by Peter Griffith, The Composers String Quartet had its release date on September 15, 2010. This song appears to be safe for all ages as it is not explicit. There are a total of 15 in the song's album "Thimmig, Edwards, Pollock & Griffith: Works for String Quartet". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. The popularity of One String Quartet is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With One String Quartet by Peter Griffith, The Composers String Quartet having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.877 dB
- Acousticness
- 94%
- Danceability
- 23%
- Energy
- 5%
- Instrumentalness
- 48%
- Liveness
- 34%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ti Voglio Bene / Be Italian | Maury Yeston, Kathi Moss, Nine Ensemble, Wally Harper | D Major | 3 | 10B | 90 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | |
 | I'll Go Home with Bonnie Jean - Dance | 'Brigadoon' 2017 New York City Center Orchestra | C Major | 3 | 8B | 125 BPM | |
 | Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | |
 | Debussy: Lakmé, Act 1: "Fantaisie aux divins mensonges" (Gérald) | Léo Delibes, Alain Lombard, Mady Mesplé, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'Opera Comique, Bernadette Antoine, Charles Burles, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 86 BPM | |
 | Semele, HWV 58 / Act 3: Leave Me, Loathsome Light | George Frideric Handel, Samuel Ramey, English Chamber Orchestra, John Nelson | A♭ Major | 1 | 4B | 91 BPM | |
 | Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | |
 | Shylock, Op. 57: I. Chanson | Gabriel Fauré, Lynda Russell, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | |
 | Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | |
 | Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | |
 | Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | C Major | 2 | 8B | 93 BPM | |
 | Porgy And Bess: Summertime | George Gershwin, Betty Lane, Houston Grand Opera Women"s Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | |
 | Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | |
 | Palomma 'e notte | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | F Major | 2 | 7B | 89 BPM | |
 | Candide, Act I: No. 7, Candide's Lament | Leonard Bernstein, Jerry Hadley, London Symphony Orchestra | F Major | 0 | 7B | 85 BPM | |
 | Stanford: Songs of Old Ireland: No. 30, Irish Lullaby (Orch. Gamley) | Charles Villiers Stanford, Victoria de los Ángeles, Sinfonia Of London, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 106 BPM | |
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | |
 | Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | |
| Sword Dance and Reel | 'Brigadoon' 2017 New York City Center Ensemble | A Major | 6 | 11B | 131 BPM | |
 | Benedicite / Morning At the Convent | Nunsense 30th Anniversary Cast | G Major | 1 | 9B | 140 BPM | |
 | Prologue: Beautiful Girls | Arnold Moss, Michael Bartlett, Follies | D♭ Major | 1 | 3B | 123 BPM | |
 | Careless With the Truth | Debbie Gravitte | B♭ Major | 1 | 6B | 105 BPM | |
 | An | RECUERDO | C Major | 2 | 8B | 93 BPM | |
 | Norton: Chu Chin Chow, Act 2: Any Time's Kissing-Time (Alcolom, Ali Baba) | Frederic Norton, Michael Collins, Julie Bryan, Inia Te Wiata, Michael Collins Orchestra | C Major | 2 | 8B | 93 BPM | |
 | Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM |
- ISRC
- USZC71126515
- Label
- L-M Records/RCA Records