"The Silver Swan" by Orlando Gibbons, The Cambridge Singers, John Rutter had its release date on November 1, 1996. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Stillness And Sweet Harmony". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Silver Swan is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Silver Swan by Orlando Gibbons, The Cambridge Singers, John Rutter having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lux aeterna (from 'Sanctum') - Upper voices | Sarah Quartel, The Oxford Choir | E Minor | 0 | 9A | 76 BPM | ||
| Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
| Ave Virgo Sanctissima | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | B Minor | 1 | 10A | 135 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Motetti e sonate concertati, Op. 6: Sonata prima à 2 | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
| Fancy | Orlando Gibbons, Rolf LaFleur, Bengt Ericson | F♯ Major | 1 | 2B | 116 BPM | ||
| I see ambition never pleased | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 111 BPM | ||
| The Cries of London, Part 2 (MB 22 No. 67ii) | Orlando Gibbons, Red Byrd/Fretwork | G Minor | 2 | 6A | 176 BPM | ||
| Vespers: Lord now lettest Thou Thy servant depart | Vladislav Germanovich Agafonnikov, Russia Spiritual Revival Choir, Lev Kontorovich | G Major | 0 | 9B | 130 BPM | ||
| Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Prima die Lectio prima: II. Aleph | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 135 BPM | ||
| Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
| Fantasia in 3 parts (MB 48 No. 12) | Orlando Gibbons, Fretwork | G Minor | 1 | 6A | 84 BPM | ||
| Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
| Habitare fratres in unum | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | F Major | 1 | 7B | 77 BPM | ||
| Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM | ||
| Angelus ad pastores ait | Andrea Gabrieli, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Tu solus qui facis mirabilia: II. Secunda pars | Josquin des Prez, Odhecaton, Paolo da Col | D Minor | 1 | 7A | 85 BPM | ||
| Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | B♭ Major | 0 | 6B | 83 BPM |