"Popur ung jamais: II. D'en eschapper" by Pierre de la Rue, Orlando Consort had its release date on July 3, 2024. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Popur ung jamais: II. D'en eschapper's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Pierre de la Rue". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Austria. Popur ung jamais: II. D'en eschapper is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Popur ung jamais: II. D'en eschapper by Pierre de la Rue, Orlando Consort having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Shining Blackness | Benjamin Rimmer, Exaudi Vocal Ensemble, James Weeks | D Minor | 1 | 7A | 67 BPM | ||
| Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
| Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| Parce Domine | Jacob Obrecht, Odhecaton, Paolo da Col | E♭ Minor | 1 | 2A | 91 BPM | ||
| Hacomplaynt: Salve Regina: III. O clemens, o pia, o dulcis | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Minor | 1 | 2A | 68 BPM | ||
| Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
| Requiem: Introitus Requiem: aeternam | Pierre de la Rue, Stratton Bull, Cappella Pratensis | E Major | 1 | 12B | 73 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| The Divine Liturgy of St. John Chrysostom: No. 1, Great Litany | Kurt Sander, PaTRAM Institute Singers, Keven Keys, Glenn Miller, Peter Jermihov | B Minor | 0 | 10A | 127 BPM | ||
| Kanon pokajanen: Ode III | Arvo Pärt, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 88 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Missa Iste confessor domini: Credo in unum Deum | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 1 | 3A | 75 BPM | ||
| Qui la dira | Antonio de Cabezón, Clémence Niclas, Manon Papasergio, Angélique Mauillon, Yoann Moulin | F Major | 1 | 7B | 76 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| Lachrimæ Veræ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 90 BPM | ||
| 2 Sacred Chants: No. 2, To Thee We Sing | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 80 BPM | ||
| 2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 69 BPM | ||
| Agní parthéne | Nectarios of Aegina, N. Sysoeva, Alexander Manotskov, Choir of the Church of Birth of St. John the Baptist, Kamenny Island, Olga Bondarevskaya | F Minor | 1 | 4A | 121 BPM | ||
| O Salutaris Hostia | Pierre de la Rue, Cantillation, Antony Walker | B Major | 5 | 1B | 93 BPM | ||
| Christ lag in Todesbanden, SSWV 22 | Samuel Scheidt, Vox Luminis, Lionel Meunier, Bart Jacobs | D Minor | 1 | 7A | 137 BPM | ||
| Missa pro defunctis a 5 "Requiem": I. Introitus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM |