"Requiem: Introitus Requiem: aeternam" by Pierre de la Rue, Stratton Bull, Cappella Pratensis had its release date on January 13, 2012. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Ockeghem, De la Rue: Requiem". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Requiem: Introitus Requiem: aeternam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: Introitus Requiem: aeternam by Pierre de la Rue, Stratton Bull, Cappella Pratensis having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Secretz regretz | Pierre de la Rue, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 76 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Missa pro defunctis a 5 "Requiem": VI. Agnus Dei | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| O Virgo splendens (canon a 3 & monodic) | Jordi Savall | A Minor | 3 | 8A | 74 BPM | ||
| Doleo super te frater mi Ionatha | Pierre de la Rue, Alamire, David Skinner | E Minor | 1 | 9A | 112 BPM | ||
| Pseaumes de David, Livre 2: No. 30, Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Unknown, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| Viderunt omnes No. 1: ...Salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 77 BPM | ||
| Christ lag in Todesbanden, SSWV 22 | Samuel Scheidt, Vox Luminis, Lionel Meunier, Bart Jacobs | D Minor | 1 | 7A | 137 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| I. Surge propera amica mea | Ivan Moody, New York Polyphony | E♭ Major | 0 | 5B | 77 BPM | ||
| Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 72 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
| Fayrfax: Magnificat "Regale": IV. Suscepit Israel puerum suum | Robert Fayrfax, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 2 | 9B | 111 BPM | ||
| Rore: Descendi in hortum meum - 2. Revertere, revertere, Sulamitis | Cipriano de Rore, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 94 BPM | ||
| Mass for the Nativity of the Virgin: II. Conduit à quatre voix : Deus misertus hominis | Pérotin, Ensemble Organum, Marcel Pérès | B♭ Major | 1 | 6B | 69 BPM | ||
| Rís upp, drottni dýrð | Trio Mediæval, Arve Henriksen | C Major | 0 | 8B | 91 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| Gloria (recons. M. Bent): Gloria in canon [reconstructed M. Bent] | John Dunstable, Tonus Peregrinus, Antony Pitts | F♯ Major | 3 | 2B | 113 BPM | ||
| Preces: Penitentes orate - Plegaria mozárabe s. XI | Jordi Savall | G Major | 2 | 9B | 76 BPM | ||
| Crucifixus a 16 | Antonio Caldara, Les Cris De Paris, Geoffroy Jourdain | A Minor | 2 | 8A | 85 BPM | ||
| In the Shining Blackness | Benjamin Rimmer, Exaudi Vocal Ensemble, James Weeks | D Minor | 1 | 7A | 67 BPM | ||
| Trattenimenti per camera, Op. 22: Ballo delle Ombre | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM |