- BPM
- 133
- Key
- A♭ Major
- Camelot
- 4B
Adiu adiu, Dous dame (Virelai) by Francesco Landini, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau Song Details
"Adiu adiu, Dous dame (Virelai)" by Francesco Landini, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau had its release date on 1999. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Adiu adiu, Dous dame (Virelai)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Ars nova : Il trecento by Ensemble Réal, Pascal Coté, Laura Zimmermann. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Adiu adiu, Dous dame (Virelai)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Adiu adiu, Dous dame (Virelai) by Francesco Landini, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -26.858 dB
- Acousticness
- 99%
- Danceability
- 23%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 6%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | |
 | Je vivroie liement | Guillaume de Machaut, Brigitte Lesne, Pierre Hamon | D♭ Major | 1 | 3B | 94 BPM | |
 | Nessun ponga speranza (Ballade) | Francesco Landini, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau | A♭ Major | 0 | 4B | 133 BPM | |
 | O Lux: Prosa - Flavit Auster (Codex De Las Huelgas, S. XIII) | Montserrat Figueras | C Major | 1 | 8B | 103 BPM | |
 | Estampie Janus | Richard I of England, Millenarium | F♯ Major | 1 | 2B | 201 BPM | |
 | Per quella strada lactea del cielo | Johannes Ciconia, Cantilena Antiqua, Concentus Lucensis, Stefano Albarello | D Major | 1 | 10B | 132 BPM | |
 | Chacona: "Una sarao de la chacona" | Juan Arañés, Piffaro | B♭ Minor | 1 | 3A | 104 BPM | |
 | Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | |
 | Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | |
 | Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | |
 | Hodie aperuit nobis clausa porta (Antiphona) | Hildegard von Bingen, La Reverdie | G Minor | 1 | 6A | 165 BPM | |
 | So ys emprentid | Walter Frye, Ensemble belladonna, Susanne Ansorg, Miriam Andersén, Rebecca Bain | A Minor | 0 | 8A | 77 BPM | |
 | The English Dancing Master, Vol. 1: The English Dance Master, Pt. I: Kemps Jegg (Roland) | John Playford, Les Witches | D Minor | 2 | 7A | 107 BPM | |
 | Passamezzo moderno: Recercada tercera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | E Major | 3 | 12B | 126 BPM | |
 | Salterello 1° - British Library XIV secolo | Il Rondello | D Major | 6 | 10B | 147 BPM | |
| El mie dolce sospir (Ballade) | Francesco Landini, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau | A♭ Major | 0 | 4B | 133 BPM | |
 | Aquila altera / Creatura gentile / Uccel di Dio | Jacopo da Bologna, La Reverdie | D Major | 1 | 10B | 48 BPM | |
 | Les buffons | Jean d'Estrée, Baltimore Consort | C Major | 1 | 8B | 119 BPM | |
 | Istampita instrumentale "Cosa non è" | Paolo da Firenze, Amandine Beyer, Felix Stricker, Jane Achtman, Karl-Ernst Schröder, Mala Punica, Pedro Memelsdorff | F♯ Major | 0 | 2B | 116 BPM | |
 | Quinto Ballo detto lo Ninfe di Senna: Canario | Lorenzo Allegri, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | |
 | Lonc tems ai - Lo ferm vole (Arr. S. Bergeron) | Raimon de Miraval, Arnaut Daniel, La Nef | C Major | 0 | 8B | 106 BPM | |
 | Danseryes: Ronde Warum | Tylman Susato, Musica Antiqua, Christian Mendoze | D Minor | 3 | 7A | 115 BPM | |
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | |
 | Ek rizis agathis (From a Good Root) | Kassia, VocaMe | A Minor | 2 | 8A | 63 BPM | |
 | Musicha son / Già furon / Ciascun vuol | Francesco Landini, Anna Danilevskaia, Sollazzo Ensemble | A♭ Major | 0 | 4B | 112 BPM |
- ISRC
- FRZ179802810
- Label
- L-M Records/RCA Records