- BPM
- 125
- Key
- E Minor
- Camelot
- 9A
The Snow Maiden, Act I: Wedding Rite "Golubushki, golubushki-devitsy" by Людмила Сергиенко, Игорь Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра Song Details
"The Snow Maiden, Act I: Wedding Rite "Golubushki, golubushki-devitsy"" by Людмила Сергиенко, Игорь Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра had its release date on November 18, 2014. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Rimsky-Korsakov: The Snow Maiden". In this album, this song's track order is #18. Based on our statistics, The Snow Maiden, Act I: Wedding Rite "Golubushki, golubushki-devitsy"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With The Snow Maiden, Act I: Wedding Rite "Golubushki, golubushki-devitsy" by Людмила Сергиенко, Игорь Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.105 dB
- Acousticness
- 97%
- Danceability
- 34%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 70%
- Speechiness
- 8%
- Valence
- 19%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | |
 | Il Trovatore / Act 2: "Tutto è deserto" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 82 BPM | |
 | Rossini: Petite messe solennelle: II. Gloria, 3. Gratias agimus tibi (Bass, Alto, Tenor). Andante grazioso | Gioachino Rossini, Antonio Pappano, Kurt Masur, Gewandhausorchester | A Major | 2 | 11B | 87 BPM | |
 | Otello / Act 2: "Non ti crucciar" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 49 BPM | |
 | Tosca, Act III: Mario Cavaradossi? A voi | Giacomo Puccini, Jonathan Tetelman, Costantino Finucci, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | |
 | Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | |
 | Снегурочка, действие III: Сцена Леля, Купавы и Снегурочки "Куда она девалась, запропала?" | Татьяна Ерастова, Людмила Сергиенко, Ирина Журина, Александр Лазарев, Оркестр Большого театра | D Major | 2 | 10B | 82 BPM | |
 | La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | |
 | Cherubini: Medea, Act 1: "O bella Glauce" (Chorus, Glauce) | Luigi Cherubini, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | D Major | 2 | 10B | 116 BPM | |
 | Andrea Chénier, Andrea Chenier, Act III: Nemico della Patria | Umberto Giordano, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | B♭ Major | 3 | 6B | 128 BPM | |
 | Un ballo in maschera / Act 2: Ecco l'orrido campo | Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 1: IVa. Sanctus fortis, Sanctus Deus | Edward Elgar, David Butt Philip, The Orchestra Of Opera North, Martyn Brabbins | G Major | 2 | 9B | 74 BPM | |
 | Messa da Requiem: I. Requiem - Kyrie | Giuseppe Verdi, Krassimira Stoyanova, Marina Prudenskaya, Charles Castronovo, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | A Major | 3 | 11B | 79 BPM | |
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | |
 | Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 77 BPM | |
 | Bizet: Carmen, WD 31, Act 4: "Les voici ! Voici la quadrille !" (Chœur) | Georges Bizet, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Haberdashers' Aske's School Choir, Orchestra of the Royal Opera House, Covent Garden | A Major | 3 | 11B | 131 BPM | |
 | 4 Lieder, Op. 27, TrV 170 (Version for Voice & Orchestra): No. 2, Cäcilie | Richard Strauss, Louise Alder, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | |
 | Bellini: I puritani: "Chi mosse a’ miei desir il genitor?" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Macbeth, Act III: Finché appeli | Giuseppe Verdi, Maria Fausta Gallamini, Piero Cappuccilli, Alfredo Giacomotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | G Major | 2 | 9B | 74 BPM | |
 | Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | |
| Macbeth, Act II: Finale II. Salve, o Re! | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 111 BPM | |
 | Puccini: Turandot, Act 2: "O Cina, che or sussulti" (Ping, Coro, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 1 | 6A | 117 BPM | |
 | Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | |
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM |
- ISRC
- UK2Y21316150
- Label
- L-M Records/RCA Records