On July 17, 2001, the song "Nakhro Chhamak Jehi(Boliyaan)" was released by Mohd. Sadiq, Ranjit Kaur. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mohd. Sadiq, Ranjit Kaur's "Laddu Mukge, Yaarane Tuttge" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Nakhro Chhamak Jehi(Boliyaan) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Nakhro Chhamak Jehi(Boliyaan) by Mohd. Sadiq, Ranjit Kaur to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aayi Sohrian Ton Chithi | Nachhtar Chhatta | A Major | 9 | 11B | 96 BPM | ||
| Phullaan Jahi Jawani | Nachhattar Chhatta | F Minor | 6 | 4A | 84 BPM | ||
| Maskewale Baba Badhshah Peer Qawwali | Jayesh Parab | F♯ Minor | 9 | 11A | 180 BPM | ||
| Gaddi Shinde Di | Surinder Shinda, Harneet Neetu, Gulshan Komal | C Major | 9 | 8B | 170 BPM | ||
| Gal Mukk Gayi | Gurbaksh Shonki | D♭ Major | 8 | 3B | 75 BPM | ||
| Sara Pind Mittran Da | Amarjeet Nagina, Param Brar | F♯ Major | 6 | 2B | 90 BPM | ||
| Ho Ke Sharabi Aave | Didar Sandhu, Snehlata | G Major | 3 | 9B | 131 BPM | ||
| Jaith Seetian Mara | Manjit Sandhu, Kulwant Kaur | D Major | 8 | 10B | 94 BPM | ||
| Gauns Paak Da Mela | Sohan Lal Saini, Balbir Takhkhi, Jatinder Goldi | D♭ Minor | 5 | 12A | 95 BPM | ||
| Bolliyan | Avtar Chamak | F Major | 9 | 7B | 89 BPM | ||
| Dukh Sukh Follan | Satwinder Bugga | D♭ Minor | 9 | 12A | 98 BPM | ||
| Tera Vanjhli Varga Bol | Mohd. Sadiq, Ranjit Kaur | E Minor | 8 | 9A | 126 BPM | ||
| Mainu Lagda Deora | Avtar Chamak | B Minor | 9 | 10A | 139 BPM | ||
| Ton Badli So Var | Nusrat Sardol | D♭ Major | 8 | 3B | 147 BPM | ||
| Munda Laigeya Nazare | Avtar Chamak | A♭ Major | 9 | 4B | 100 BPM | ||
| Kabze Di Pelli Wangu | Amarjit Nagina, Beeba Param Brar | D♭ Major | 9 | 3B | 168 BPM | ||
| Bambao Driver Aauna | Nirmal Bhadkeela, Anita Samana | F Minor | 6 | 4A | 84 BPM | ||
| Aj Ohda Khat Mil Ya | Lovely Nirman | E Minor | 8 | 9A | 81 BPM | ||
| Mera Pee Ghar Aaya Laal Nee | Neele Khan, Mohd. Sadiq | E♭ Minor | 6 | 2A | 120 BPM | ||
| Rabb Utte Rakh Doriyan | Kuldeep Paras, Gulshan Komal | A Major | 7 | 11B | 96 BPM | ||
| Je Nachna Te | DJ Chino, Mohd. Sadiq | D Minor | 6 | 7A | 87 BPM | ||
| Teri Akh Darvaze Firdi | Mohd. Sadiq, Diljit Kaur | C Major | 5 | 8B | 105 BPM | ||
| Aaundi De Phir Gai Daang | Nirmal Bhadkeela, Anita Samana | A Major | 9 | 11B | 120 BPM | ||
| Sinnke Balori Akh Maari | Kartar Ramla, Manjeet Kaur, Sanjeev-Santosh, Pal Gurhdi | A♭ Major | 9 | 4B | 97 BPM | ||
| Lagdi Giddhe Wich Sang | Ravinder Grewal, Surpreet Soni | D♭ Minor | 7 | 12A | 172 BPM |