"American Traditional: Shenandoah" by Traditional, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth, Neil Martin had its release date on January 1, 2003. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 18 in Bryn Terfel sings Favourites by Bryn Terfel, London Symphony Orchestra, Barry Wordsworth. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. American Traditional: Shenandoah is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of American Traditional: Shenandoah by Traditional, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth, Neil Martin is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Men of Harlech | Traditional, Bryn Terfel, Welsh National Opera Orchestra, Gareth Jones, The Black Mountain Choir, The Risca Choir | F Major | 4 | 7B | 132 BPM | ||
| Boito: Mefistofele, Act 1: "Juhé! Juhé! Juheisa! Juhé!" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, Wandsworth School Boys Choir, London Symphony Orchestra | G Major | 4 | 9B | 87 BPM | ||
| Giulio Cesare, HWV 17, Act I: Va tacito e nascosto | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 132 BPM | ||
| The Ash Grove | Traditional, Katherine Jenkins | G Major | 3 | 9B | 81 BPM | ||
| Edelweiss | Joseph Calleja, Mantovani | E♭ Major | 3 | 5B | 102 BPM | ||
| Isle of Innisfree | Cathy Maguire | F Major | 2 | 7B | 99 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 133 BPM | ||
| Barbara Allen | Art Garfunkel | E Major | 2 | 12B | 132 BPM | ||
| The Pearl Fishers Duet - Remastered, Radio Edit | Rhydian | E♭ Major | 4 | 5B | 169 BPM | ||
| Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| The Music of the Night - From "Phantom of the Opera" | Michael Crawford, London Symphony Orchestra, Andrew Pryce Jackman | C Major | 0 | 8B | 110 BPM | ||
| Oft In The Stilly Night | Celtic Thunder | D Major | 1 | 10B | 99 BPM | ||
| Song for Kathryn (feat. Imelda May) | Christy Dignam, Imelda May | D Major | 2 | 10B | 94 BPM | ||
| Boito: Mefistofele, Prologue: Prelude | Arrigo Boito, Julius Rudel, London Symphony Orchestra | A Major | 1 | 11B | 102 BPM | ||
| A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
| Over The Hills | Simon Franglen, John Tams, Will Martin | A Major | 3 | 11B | 114 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Paavo Järvi, Camilla Tilling, Estonian National Symphony Orchestra | A Minor | 1 | 8A | 169 BPM | ||
| What a Wonderful World (Arr. Wilberg) | George David Weiss, Bob Thiele, Bryn Terfel, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg | E♭ Major | 3 | 5B | 80 BPM | ||
| Pur Ti Miro | Claudio Monteverdi, Craig Leon, Natasha Marsh, Fernando Lima, London Symphony Orchestra | A♭ Major | 1 | 4B | 83 BPM | ||
| Grace | The Irish Tenors | F Major | 5 | 7B | 88 BPM | ||
| Les Contes d'Hoffmann, Act III: Barcarolle. "Belle nuit, ô nuit d'amour" | Jacques Offenbach, OperaBabes, Nick Ingman, London Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
| A Sea Symphony: II. On the Beach at Night Alone (Largo sostenuto) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 84 BPM | ||
| Sailing By | Ronald Binge, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 0 | 10B | 89 BPM | ||
| Cavalleria Rusticana: Intermezzo sinfonico | London Symphony Orchestra | E♭ Major | 2 | 5B | 131 BPM |