- BPM
- 132
- Key
- F Major
- Camelot
- 7B
Giulio Cesare, HWV 17, Act I: Va tacito e nascosto by George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras Song Details
George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras's 'Giulio Cesare, HWV 17, Act I: Va tacito e nascosto' had a release date set for January 1, 1997. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras's "Handel: Arias" album is number 13 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Giulio Cesare, HWV 17, Act I: Va tacito e nascosto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Giulio Cesare, HWV 17, Act I: Va tacito e nascosto by George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -20.026 dB
- Acousticness
- 99%
- Danceability
- 47%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 35%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Le nozze di Figaro / Act 1: "Or bene, ascolta, e taci" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, John Fisher, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | A♭ Major | 4 | 4B | 159 BPM | |
 | Zueignung, Op. 10 No. 1 (Version with Orchestra) | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | |
 | L'Orfeo - Act 5: Ritornello-Questi i campi di Tracia | Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett | F Major | 1 | 7B | 71 BPM | |
 | Merope: Chi non sente al mio dolore | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 1 | 5B | 77 BPM | |
 | The Fairy Queen, Z. 629 / Act 2: Prelude...Come, All Ye Songsters Of The Sky | Henry Purcell, Wynford Evans, English Baroque Soloists, John Eliot Gardiner | B Major | 1 | 1B | 104 BPM | |
 | Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica" | Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 174 BPM | |
 | Le nozze di Figaro, K. 492, Atto III Scene 9 - 10: No. 21, Su l'aria... (Duettino Susanna, La Contessa) | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Véronique Gens, Patrizia Ciofi | B♭ Major | 1 | 6B | 81 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | |
 | Ariadne auf Naxos, Op. 60, TrV 228: "Es gibt ein Reich" | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 77 BPM | |
 | Pergolesi: Stabat Mater: X. Fac ut portem Christi mortem | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Diego Fasolis | A Major | 0 | 11B | 128 BPM | |
 | Ode for St. Cecilia's Day, HWV 76: Interlude | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | |
 | Ode for the Birthday of Queen Anne, HWV 74: II. Solo e Coro "The day that gave great Anna birth" | George Frideric Handel, Vocalconsort Berlin, Akademie für Alte Musik Berlin, Andreas Scholl, Marcus Creed | D♭ Major | 3 | 3B | 96 BPM | |
 | Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | |
 | Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda) | Giacomo Puccini, Montserrat Caballé, London Symphony Orchestra, Sir Charles Mackerras | D Minor | 1 | 7A | 75 BPM | |
 | Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | |
 | Il Medo / Act 1: Cervo in bosco | Leonardo Vinci, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D Major | 1 | 10B | 147 BPM | |
 | Catone in Utica, RV 705 / Act 2: "Se mai senti spirarti sul volto" | Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi | E♭ Major | 1 | 5B | 87 BPM | |
| 4 Lieder, Op. 27, TrV 170: No. 4, Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | |
 | Dido and Aeneas / Act 3: The sailor's Dance..."See the flags...Destruction'sour delight" - The Witches' Dance | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 101 BPM | |
 | Griselda, RV 718 / Act 3: Dopo un' orrida procella | Antonio Vivaldi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 1 | 6B | 85 BPM | |
 | Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris | Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance | B♭ Minor | 1 | 3A | 101 BPM | |
 | Marc'Antonio e Cleopatra: Morte col fiero aspetto (Ed. Wiesend) | Johann Adolf Hasse, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Minor | 5 | 6A | 137 BPM | |
 | Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | |
 | Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] | William Christie | F Minor | 0 | 4A | 104 BPM |
- ISRC
- DEF059703130
- Label
- L-M Records/RCA Records